1 Steinar Albrigtsen/Tom Pacheco: "NOBODIES" (Roots)
2 Jim Almand: "POWER OF THE SPOKEN WORD" (Roots)
3 Vince Bell: "TEXAS PLATES" (Roots)
4 Bob Bradshaw: "ENJOY YOUR CONFUSION" (Roots/Rock)
5 Kate Bush: "HOUNDS OF LOVE" (Rock)

Kate Campbell:
6 "MONUMENTS" (Roots)
7 "TWANG ON A WIRE" (Roots)
8 "WANDERIN' STRANGE" (Roots)

Bob Cheevers:
9 "GETTYSBURG TO GRACELAND" (Roots)
10 "WE ARE ALL NAKED" (Roots)

11 Guy Clark: "THE DARK" (Roots)
12 Bob Collum: "LOW RENT ROMEO" (Roots)
13 Johnny Connolly: "AN MILEOIDEAN SCAOILTE" (Folk/Roots)
14 Rick Danko: "TIMES LIKE THESE" (Roots)
15 Bob Delevante: "COLUMBUS & THE COLOSSOL MISTAKE (A Collection Of Songs & Photographs)" (Roots/Rock)
16 Kenny Edwards: "KENNY EDWARDS" (Americana/Roots)
17 Jeff Finlin: "LIVE FROM NOWHERE" (Roots)
18 Forgotten Suns: "SNOOZE" (Prog Rock)
19 Folk For Peace: "RUMOURS OF RAIN" (Roots)
20 Paddy Glackin: "GLACKIN" (Folk/Roots)
21 Clive Gregson: "LONG STORY SHORT" (Roots)
22 Nanci Griffith: "WINTER MARQUEE" (Roots)
23 John Hackett: "CHECKING OUT OF LONDON" (Classical/Prog Rock)
24 Noel Hill & Tony MacMahon: "I gCnoc na Grai" (Folk/Roots)
25 Doug Hoekstra: "THE PAST IS NEVER PAST" (Roots)
26 Steve Knightley/Seth Lakeman/Jenna: "WESTERN APPROACHES" (Roots)
27 Josie Kuhn: "LA LUNA LOCA" (Roots)
28 Macalla: "WOMEN OF IRELAND" (Folk/Roots)
29 Don McLean: "REARVIEW MIRROR" (Americana/Roots)
30 Mary McPartlan: "THE HOLLAND HANKERCHIEF" (Roots)
31 Kevin Montgomery & Pettibone: "ANOTHER LONG STORY" (Roots/Rock)
32 Hunter Moore: "SOUTH OF ST. LOUIS" (Americana/Roots)
33 Gerry O'Connor: "JOURNEYMAN" (Folk/Roots)
34 Gerry O'Connor: "NO PLACE LIKE HOME" (Folk/Roots)
35 Sean O'Riada: "MISE EIRE"
36 Tim O'Shea & Friends: "LAKE OF LEARNING" (Folk/Roots)

Tom Pacheco:
37 "BARE BONES & BARBED WIRE" (Roots)
38 "BLUEFIELDS" (Roots)
39 "LUCK OF ANGELS" (Roots)
40 "REBEL SPRING" (Roots)
41 "THE LOST AMERICAN SONGWRITER" (Roots)
42 "THERE WAS A TIME"(Roots)

43 Jimmy Page/Robert Plant: "NO QUARTER" (Rock)
44 Rod Picott: "STRAY DOGS" (Roots)
45 Trevor Rabin: "CAN'T LOOK AWAY" (Rock)
46 Rakit: "RAKIT" (Rock)
47 Steve Roberson: "RADIO RANCH" (Americana/Roots)
48 The Rowans: "THE ROWANS" (Roots)
49 Show Of Hands: "WITNESS" + CD Single Release (Folk/Roots)
50 Solas: "WAITING FOR AN ECHO" (Folk/Roots)

John Stewart:
51 "ARMSTRONG" (Roots)
52 "FRONTROW MOONLIGHT" (Roots Video)
53 "FRONTROW MUSIC: BEFORE THE WAR" (Roots)
54 "JOHNNY MOONLIGHT" (Roots)
55 "THE DAY THE RIVER SANG"

56 Stephen Stills: "STEPHEN STILLS" (Rock)
57 Teada: "LA AN DREOILIN (THE DAY OF THE WREN)" (Roots)
58 Richard Thompson: "RT: THE LIFE AND MUSIC OF RICHARD THOMPSON" (Folk/Roots/Rock)
59 Karen Tobin: "THAT'S WHAT YOU GET"
60 Martin Tourish & Luke Ward: "CLAN RANALD" (Folk/Roots)
61 Uiscedwr: "EVERYWHERE" (Roots)

The John Wetton Special:
Featuring: -
62 John Wetton - "AKUSTIKA" (Rock)
63 John Wetton - "BATTLE LINES" (Rock)
64 King Crimson - "LARKS' TONGUES IN ASPIC" (Rock)
65 Asia - "ASIA" (Rock)
66 Steve Hackett - "THE TOKYO TAPES" (Rock)
67 Kim Dancha - "MY OWN TIME" - JW's Authorized Biography

68 Gavin Whelan: "GAVIN WHELAN" (Folk/Roots)
69 White Winged Angel: "HOPE" (Rock)

Yes:
70 "DRAMA" (Rock)
71 "90125" (Rock)

The Rock Retrospective
In which we take a fresh look at some classic albums including...
1 Pink Floyd:"DARK SIDE OF THE MOON"
2 The Who: "WHO'S NEXT"
3 Cream: "WHEELS OF FIRE"
4 The Beatles: "ABBEY ROAD"

Local Releases
A look at releases brought out by artistes and bands in our area...
1 John Graeme Livingstone: "HOUSE FULL OF STRANGERS"

Steinar ALBRIGTSEN/Tom PACHECO: “NOBODIES"
Produced by: Scott Petito, Tom Pacheco & Steinar Albrigtsen
Engineered by: Scott Petito
Principal Musicians:
Tony Levin/Scott Petito/Paul Pacheco - Bass Guitar
Levon Helm/Jerry Marotta - Drums, Percussion
Richard Bell - Keyboards
Aron Hurwithz - Accordion
Jim Weider - Electric Guitar
Leslie Ritter/Beth Reineke - "Bv's"
Tom Pacheco/Steinar Albrigtsen - Vocals, Mandoline, Acoustic Guitars

Track Listings:
1. One Heart One Soul (Tom Pacheco) (4.40)
2. They Can't Touch You Now (Tom Pacheco) (3:46)
3. The Water I Swim In (Tom Pacheco) (3:40)
4. Free (Tom Pacheco) (5:00)
5. Nobodies (Tom Pacheco) (4:23)
6. Midnight Rain (Tom Pacheco/Steinar Albrigtsen) (3:56)
7. Teddy Roosevelt (Tom Pacheco) (5:10)
8. Night Train Blues (Rob Wilkins/Tom Pacheco/Steinar Albrigtsen) (3:26)
9. It's So Strange (Steinar Albrigtsen/Tom Pacheco) (3:26)
10. Bobby & Elvis (Tom Pacheco/Steinar Albrigtsen) (3:41)
11. Since Jackie Left Town (Tom Pacheco) (3:26)
12. Nothing To Do (Tom Pacheco/Steinar Albrigtsen) (2:19)
13. Sunny Blue Skies (Tom Pacheco/Steinar Albrigtsen) (2:08)

"This is the kind of album that doesn't get old. This is one to come back to again and again." - Gary Alexander

* Lovers of the work of Tom Pacheco will find this a highly satisfying recording. Teaming the intense US singer/songwriter with Norwegian musician Steinar Albrigtsen is a match made in heaven. The mixture of Tom's dynamic vocal style and Steinar's melodic voice works perfectly. * Songs of introspection (They Can't Touch You Now), mix with bluesy tunes (Night Train Blues) and there's even a hint of controversy in the lyrics to "Teddy Roosevelt". Excellent musicianship throughout + fine production from Tom, Steinar & Scott Petito.

Star Rating - ****

Top Track(s): "One Heart, One Soul" & "Teddy Roosevelt"

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Jim ALMAND: "POWER OF THE SPOKEN WORD"
Produced by Jim Almand/Randy Clark
Engineered by Randy Clark
All songs written by Jim Almand
Principal Musicians:
Jim Almand - Acoustic Guitars, Bass, Dobro, Harmonica, 'Board, Vocals
Randy Clark - Mandoline
Hank Wickam - Congas
Kirk Baldwin - Dobro
Scotty Burns - Fiddle

Track Listings:
1. Roll The Dice
2. Lilly & The Bone
3. For The Longest Time
4. Without You
5. Jeffrey
6. Shalako
7. Power Of The Spoken Word
8. Gypsy Eyes
9. Up On The High Road
10. Bums At Sunset
11. Elena Marie

"This is a group of tunes that I've wanted to release for a while. I went into the studio, with the hopes of capturing a live feel and keeping as many first takes as was audibly bearable. I've always sought that sense of energetic freedom that only comes from the moment." - Jim Almand, from the sleeve notes

* If you like Tom Pacheco, then chances are, you'll love Jim Almand. "Lilly & The Bone" in particular, reminds me both lyrically and in it's delivery style of Mr P. Like Tom's "Bare Bones" project, this is a "warts 'n' all" recording. There is the odd fluff and occasional "bum note", but this rather adds to the appeal of this fine album. Jim's arrangements are sparse, using a minimal amount of backing instrumentation. The song quality is excellent throughout and I found my foot was tapping along to many of the tracks. I can't think of any better recommendation than that!

Star Rating - ****

Top Track(s): "Roll The Dice" & "Lilly & The Bone"

To be released 2002 - My thanks to Rob Main-Ellen of Medicine Music for introducing me to Jim's music - Dave

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Vince BELL: "TEXAS PLATES"
Produced by: Robin Eaton
Engineered & Mixed by: Elijah Shaw
Principal Musicians:
Vince Bell - Vocals, "Bv's", Acoustic Guitar
Pat Bergeson - Harmonicas
Lewis Brown - Trombone
Pat Buchanon - Guitars
Chris Carmichael - Strings
Robin Eaton - Bass, Guitars
Mickey Grimm - Drums, Percussion
Dave Jacques/Brad Jones - Basses
Al Perkins - Banjo, Steel, Dobro, Lap, Pedal Steel, Guitar
Ross Rice - Keyboards
Elijah Shaw - E-Bow
Aly Sujo - Violin
Kami Lyle/Maura O'Connell/Alex Eaton - "Bv's"

Track listings:
1. Poetry, Texas (2:38)
2. All Through My days (4:21)
3. Push Comes to Shove (2:47)
4. 2nd Street (2:49)
5. All The Way To The Moon (4:13)
6. Place To Call Our Own (3:44)
7. Best Is Yet To Come (4:34)
8. Have Not, Will Travel (3:24)
9. 100 Miles from Mexico (3:47)
10. The Fair (3:01)
11. The Last Dance At The Last Chance (3:44)
All songs written by Vince Bell, except "All Through My Days", written by Vince Bell/Connie Mims

Masterfully produced by Robin Eaton, this fine recording contains much for the "Roots Music" fan to enjoy - top quality songs backed by a high standard of musicianship. Recorded in Nashville, with the likes of the legendary Al Perkins in attendance, "Texas Plates" is Vince's best album to date.

"Out of the dreadful reign of night rides a loner...From out of nowhere, from out of sight like thunder...Out of the shadows into the light." - From "Have Not, Will Travel"

Star Rating - ****

Top Track: "Have Not, Will Travel"

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Bob BRADSHAW: “ENJOY YOUR CONFUSION” (Roots/Rock Album)
Produced by Scoop McGuire
Featured Musicians:
Bob Bradshaw ~ Vocals, Acoustic Guitar
Scoop McGuire ~ Electric Guitar, Keyboards, Bass, Banjo, Bells
Jon Preuss ~ Electric Guitar
Chad Manning ~ Fiddle
Tom Kesecker ~ Vibraphones, Marimba
Ron Kavana ~ Bouzouki, Dobro, Mandolin, Banjo, Bodhran
Seth Asarnow ~ Electric Piano, Bandoneon
Bruce Kurnow~ Harmonica
Robert Powell ~ Pedal Steel
Mark McCartney ~ Drums, Congas
Mike DeNiro ~ Percussion
Patsy O’Brien ~ Acoustic Guitar
David Phillips ~ Pedal-steel
Tom McGuire ~ Mandolin
Susie Davis ~ BVs

Track Listings:
1. Lucky 4 U (3.27)
2. Not Too Far To Go (3.09)
3. Hit The Road Angela (4.06)
4. Tell Me A Story (3.24)
5. A List Of Things (3.51)
6. Surprise (2.41)
7. Cruel Recipe (3.03)
8. Tomorrow Is A Better Day To Die (4.07)
9. A Love That Won’t Take No For An Answer (3.31)
10. Let It Go (3.13)
11. From The 2-Step To The 12-Step Once Again (2.57)
12. You’re Not Alone (2.39)
13. Strange Joy (4.39)
14. James Joyce On Guitar (3.37)

Tracks 1, 9, 11 & 14 written by Bob Bradshaw, all other tracks written by Bob Bradshaw/Scoop McGuire

“Tell me a story, won’t you? She reaches for him in the dark. You think it’s over, don’t you? I guess you think we’re done. And as the fire goes down she’s still waiting for the spark that tells her she’s someone…” From “Tell Me A Story”

• I got a bit of a surprise when I put this album in the CD player so that I could review it. I was expecting a bit of a laid-back singer/songwriter type recording ~ what I got was a mixture of hard-edged Rock tracks interspersed with a few slightly quieter numbers!
  

• Bob’s vocal style is not dissimilar to Chris Martin from the UK band Coldplay only less fragile + there’s occasional hints of Thin Lizzy’s late singer Phil Lynott. The backing musicians are all excellent ~ in particular, Scoop McGuire whose electric guitar work is superb throughout…
  

• Several of the Rockier tracks including “Lucky 4 U”, “A List Of Things” & “Surprise” contain some great rhythm guitar playing a la Beatles: “White Album” in them courtesy of producer/musician Scoop McGuire…
  

• Also on The Beatles front, there’s a neat bit of arranging similar to “For The Benefit Of Mr Kite” on ”Let It Go”. A complete contrast comes with the Jazzier “From The 2-Step To The 12-Step Once Again” which features a nice fiddle and pedal-steel break from Chad Manning and David Phillips respectively…
  

• The laid-back “Hit The Road Again” is a great road song with a feel of that old classic “Everybody’s Talking At Me” by Harry Nilsson ~ there’s a great chorus on this one. The next track “Tell Me A Story” could easily have been written for UK acoustic duo Show Of Hands ~ I can just imagine them singing it. There’s some great fiddle work by Chad Manning underscoring Bob’s poignant vocal performance on this song…
  

• In conclusion I’d like to say that I really liked this album. Bob’s songs are all well constructed and I particularly liked his lyrics and the occasionally “off the wall” song titles! There’s plenty of variety in both the songs and the way they are performed by Bob’s talented band of backing musicians. Because of this, there’s “something for everyone” to enjoy…
  

There are a couple of audio samples from the album featured on the Fair Oaks CD sales site's Jukebox page…

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Kate BUSH: "HOUNDS OF LOVE"
All songs written & produced by Kate Bush
Engineered by Del Palmer, Haydn Bendall, Brian Tench etc..
Principal Musicians:
Kate Bush - Piano, Fairlight & Vocals
Stuart Elliott/Charlie Morgan - Drums, Percussion
Del Palmer/Youth/Eberhard Weber/Danny Thompson - Basses
Alan Murphy/Brian Bath/John Williams - Guitars
Paddy Bush - Balailaka, Dijeridu, Violins, Fujare, "BV's"
Kevin McAlea - Keyboards

Track Listings:
Hounds Of Love
1. Running Up That Hill
2. Hounds Of Love
3. The Big Sky
4. Mother Stands For Comfort
5. Cloudbusting

The Ninth Wave
1. And Dream Of Sheep
2. Under Ice
3. Waking The Witch
4. Watching You Without Me
5. Jig Of Life
6. Hello Earth
7. The Morning Fog

Bonus Tracks (Not on original release):
1. The Big Sky (MeTeorogical Mix)
2. Running Up That hill (12" Mix)
3. Be Kind To My Mistakes
4. Under The Ivy
5. Burning Bridge
6. My Lagan Love

"I am falling like a stone, like a storm being born again, into the sweet morning fog. D'you know what? I love you better now." - From "The Morning Fog"

* Critically hailed as a masterpiece on it's release in 1985, Kate Bush's "Hounds Of Love" has stood the test of time. "Running Up That Hill", "The Big Sky" & "Cloudbusting" all sound as fresh and powerful today as they did all those years ago. The conceptual "Ninth Wave" too has lost none of it's magic. Kate has always stood way to the left of popular music, carving her own unique path - the result being a series of thoughtful and challenging albums.

Star Rating - *****

Top Track(s): "The Big Sky" & "Hello Earth"

Originally released on EMI records in 1985. Digitally re-mastered version now available

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Kate CAMPBELL: "MONUMENTS"
Produced, Recorded & Mixed by Walt Aldridge
Recorded at Waltz Time Studios, Florence, Alabama; Fame Studios,
Muscle Shoals, Alabama; County Q Productions & Jay's Place,
Nashville, Tennessee
Additional engineering by Chuck Pfaff, Daniel Beard & Jay Vern
Principal Musicians:
Kate Campbell - Acoustic Guitar, Vocals
Walt Aldridge - Electric & Acoustic Guitars, Bass, Keyboards,
Mandolin, Programming, Percussion, "BVs"
Pat Buchanan - Electric Guitar, Harmonica
David Hood - Bass Guitar
Larry Franklin - Fiddle
Jonathan Yudkin - Strings, Cello
Mike Johnson - Dobro
Jeff Taylor - Accordion
Spooner Oldham/Mark Narmore/Jim Brown - Keyboards
Edd Jones/Rick Mason/James Simpson/Jeremy Thigpen - Brass Section
Josh Haselton/Eddie Bayers - Drums
Mac McAnally/Cindy Walker - "BVs"

Track Listings:
1. Yellow Guitar (K. Campbell)
2. Corn In A Box (K. Campbell/W. Aldridge)
3. Strangeness Of The Day (K. Campbell/W. Aldridge)
4. Joe Louis' Furniture (K. Campbell/I. Campbell)
5. New South (K. Campbell/W. Aldridge)
6. Petrified House (K. Campbell/W. Aldridge)
7. How Much Can One Heart Hold (K. Campbell/W. Aldridge)
8. The Way Home (K. Campbell/W. Aldridge)
9. William's Vision (K. Campbell/I. Campbell)
10. Walk Among Stones (K. Campbell/M. Narmore)

"She sees the world through yellowing lace, the world hasn't seen her since seventy-eight. Except for the nephew who used to look in to bring her, her chocolate and tonic and gin" - From "Petrified House"

* With this latest album, Kate has taken her music away from the Gospel sound of her previous effort - "Wanderin' Strange", and into more Bluesier, Rockier territory. "Corn In A Box" is a great Rock song and "New South" drips with that good old Southern States Blues. There's still Gospel music in evidence - "The Way Home", has Kate's lone voice accompanied by a simple, yet effective backing of just piano and strings. The message is clear as she sings "You don't have to walk that road alone, Jesus is the way home..."

* Walt Aldridge's production is excellent, as is his guitar playing - subtle but effective. Listen to "Corn In A Box" - you'll see what I mean.

* "Monuments" has a striking cover, a black and white picture of "Tombstones for Sale" - a photo of "William Edmondson's Sculpture Yard" taken in 1941. Various photos of Mr Edmondson's work can also be found dotted around the CD inlay notes.

* "Monuments" is as good as "Wanderin' Strange", but I wouldn't describe it as a better album - just more immediate and accessible. Fans of Kate's music will not be disappointed this is a fine addition to her catalogue and I'm sure she'll be featuring songs from "Monuments" on her up and coming solo UK tour.

Star Rating - ****

Top Track(s): "Corn In A Box" & "The Way Home"

Originally released on Evangeline Records in October 2002

"Monuments" was reviewed by "DW"

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Kate CAMPBELL: "TWANG ON A WIRE"
Produced by Kate Campbell
Engineered by Richard McLaurin/Adam Bednarik
Recorded at "House Of David Studios" in Nashville, Tennessee
during September 2002
Mastered by Hank Williams at Mastermix
Principal musicians:
Kate Campbell - Vocals, Piano, Acoustic Guitar
Jeff Finlin - Drums, Percussion, "BVs"
Dave Jacques - Bass Guitar
Kevin Gordon - Acoustic & Electric Guitars, "BVs"
Will Kimbrough - Acoustic & Electric Guitars, Keyboards, "BVs",
Banjo, Mandolin, Dobro
Jay Zdad - Electric & Acoustic Guitars, Lap Steel, Harmonica
Tricia Walker - "BVs", Piano
Sylvia Hutton - "BVs"

Track Listings:
1. Rose Garden (South) - Lynn Anderson
2. Mississipi Woman, Louisiana Man (Bluefield/Owen) - Conway Twitty/Loretta Lynn
3. Would You Lay With Me In A Field Of Stone? (Coe) - Tanya Tucker
4. Down From Dover (Parton) - Dolly Parton
5. Funny Face (Fargo) - Donna Fargo
6. 'Til I Can Make It On My Own (Richey/Sherril/Wynette) - Tammy Wynette
7. Honey On His Hands (Barnes/Seals) - Jeanne Pruett
8. Boulder To Birmingham (Harris/Danoff) - Emmylou Harris
9. Harper Valley PTA (Hall) - Jeannie C Riley
10. Satin Sheets (Volinkaty) - Jeanne Pruett
11. Help Me Make It Through The Night (Kristofferson) - Sammi Smith
12. Touch Your Woman (Parton) - Dolly Parton
13. Twang On A Wire (Campbell/Narmore) - Kate Campbell

"Twang On A Wire" is the embodiment of the belief that a great song well-sung will somehow connect with unseen strangers, and by doing so, we all become less strange to one another. It is also a loving thank-you note to the women whose own hard work inspired others to achieve their goals. But most of all, it's about great songs. Feel free to sing along..." Jim Musser, October 2002 - From the sleeve notes

* The above quote from Jim Musser really sums up this CD - a collection of Kate's favourite songs, originally sung by artistes as diverse as Dolly Parton and Jeanne Pruett. This is an excellent "good time, sing-a-long" album and is perhaps best summed up in Kate's own words...

"I made this record because these were the songs I was listening to when I first began to play the guitar. These were the records that I owned - that I played in my room. You could sing along with them; they were meant to be sung along with. Everybody knows them and knows all the words."

* Kate is in fine voice throughout, and her backing band are all superb - particularly on Dolly Parton's "Touch Your Woman".

* All the tracks were inspired by songs released during the period 1968 - 1975. Kate's own homage to the "First Ladies Of Country", the self-penned "Twang On A Wire" is a fitting coda to this superlative recording.

Star Rating - *****

Top Track(s): "Rose Garden", "'Til I Can Make It On My Own" & "Touch Your Woman"

Originally released in December 2002 on Large River Music Records

"Twang On A Wire" was reviewed by "DW"

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Kate CAMPBELL: "WANDERIN' STRANGE"
Produced by: Kate Campbell
Recorded, Mixed & Mastered by: Don Srygly
Principal Musicians:
Kate Campbell - Lead Vocals, Piano
Walt Aldridge - Acoustic Guitar, Mandolin, Bouzouki
Spooner Oldham - Keyboards
David Hood - Bass Guitar
Danny Parks - Electric Guitar
Daryl Burgess - Drums
Ava Aldridge/Cindy Walker/Gena Brown Vinyard - "Bv's"

Track Listings:
1. The House You Live In (Gordon Lightfoot) (3:31)
2. Come Thou Fount (Nettleton/Robinson) (3:22)
3. There Is A Fountain (Cleansing Fountain/Cowper) (4:40)
4. 10,000 Lures (Campbell/Narmore) (4:31)
5. The Prodigal (Arise/Anon) (4:09)
6. Now Is The Day Of Salvation (Campbell/Oldham) (4:49)
7. Bear It Away (K. Campbell/I. Campbell) (4:05)
8. Jordan's Stormy Banks (Promised Land/Stennett) (4:06)
9. The King's Business (F. Cassel/E. Cassel) (3:49)
10. Dear Little Stranger (Gabriel/Homer) (3:30)
11. The Last Song (Campbell/Aldridge) (4:45)

"The most energizing, heartfelt and soulful batch of gospel this side of Aretha" - Iowa City Press-Citizen

A collection of both contemporary and traditional gospel songs, this is a superb album. The daughter of a Preacher, Kate Campbell brings the hymns & songs she heard as a child totally up to date with the aid of her backing band and a rich powerful voice. A first class recording that pushes back the boundaries of gospel music.

Star Rating - *****

Top Track(s): "The House You Live In", "There Is A Fountain" & "The Prodigal"

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Bob CHEEVERS: "GETTYSBURG TO GRACELAND"
Produced by: Charlie White
Principal Musicians:
Bob Cheevers - Lead & Backing Vocals, Acoustic Guitar
Charlie White - Electric & Acoustic Guitars, "Bv's"
Mike Henderson - Slide Guitar, Harmonica
Byron House/Mark Prentice/Forrest Rose/Mark W. Winchester - Basses
Larry Knetchtel - Piano Scott Merry - Banjo
John Gardner/Patrick O'Connor - Drums, Percussion
Rand Bishop/Craig Carothers/John Cowan/Kami Lyle/Jonell Mosser - "Bv's"

Track Listings:
1. Forty Acres And A Mule (Cheevers/White)
2. Annalee Saint Pierre (Cheevers)
3. River Gonna Rise (Cheevers)
4. Shoulda Picked Our Own Cotton (Cheevers/White)
5. Coleen (Cheevers)
6. It's All About Time (Cheevers)
7. My Young Dixie Rose (Cheevers)
8. River Of Jordan (Cheevers)
9. Large Marge (Cheevers)
10. I Saw The King (Cheevers)
11. The Ballad Of Caleb Leedy (Cheevers)

"You wanna know about the South? Just listen to my friend Cheevers" - Kevin Welch

* Lyrically, Bob takes in a wide range of topics from the social comment of "Shoulda Picked Our Own Cotton" to humour on "Large Marge". There are stories and characters from the "Deep South" too, all brought to life by Bob's rich melodic voice. Another excellent "Roots Music" album, or as Bob himself calls it: - "Pre-Retro Delta-Folk Acoustic Story Songs!"

Star Rating - ****

Top Track: "River Gonna Rise"

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Bob CHEEVERS: "WE ARE ALL NAKED"
All songs: Imagined, written, produced, performed, engineered & recorded by "TAFKABC" - The Artist Formerly Known As Bobby Cheevers (Who's a clever boy then!)
Principal Musicians:
Bob Cheevers - Acoustic Guitars, Vocals
Charlie White - Electric & Acoustic Guitars, Banjo, Mandolin, Slide
Rand Bishop - Piano
Slats King - Piano, Organ, Accordion
Swain Schaeffer - Piano, Organ
Craig Carothers - Keyboards
Bruce Michael Miller - Electric Guitars
Louie Shelton - Electric Guitars
Fats Kaplan - Mandolin, Violin
Al Perkins - Dobro, Banjo
Cory Fite - Bass Guitar
Suzanne McCallen - "BVs"

Track Listings:
1. Once In A Lifetime Ride
2. Help Me With My Heart
3. We Are All Naked
4. Memories I'll Keep
5. The Living Proof
6. All I Want From Memphis
7. My Beautiful Suzannah
8. Blue Delta Dawn
9. Before You
10. When The Leaves Turn Gold
11. That Was Eli
12. Every Moment Is A Miracle
13. That's What I Do
14. That Evening And Forever

"We are all naked beneath our clothes. To stand naked is to be seen with all our strengths and weaknesses. And that's the truth!" - Bob Cheevers

* Don't expect to hear another "Gettysburg" album - Bob's already been there! This time around, the songs are much more personal and introspective. In fact, this is the "Roots Music" version of Peter Gabriel's excellent "Us" album. Exploring the ups and downs of a relationship, Bob's lyrics are not full of self-pity, instead they are a collection of fond memories...

Star Rating - *****

Top Track(s): "Help Me With My Heart" & "We Are All Naked"

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Guy CLARK: "THE DARK"
Produced by Guy Clark/Verlon Thompson/Darrell Scoot/Chris Latham
Engineered & Mixed by Chris Latham
Recorded at EMI Publishing Studio
Principal Musicians:
Guy Clark - Vocals, Guitars
Verlon Thompson - Guitars, Vocals, Percussion, Mandolin, Harmonica,
Djembe
Darrell Scott - Baritone Guitar, Mandocello, Dobro, Accordion,
Marimbula, Mandolin, Banjo, Bass, Vocals
Shawn Camp/Tim O'Brien - Fiddle
Chris Latham - Violin
Gillian Welch/Dave Rawlings - "BVs"

Track Listings:
1. Mud (Clark/Mondlock) (3:44)
2. Arizona Star (Clark/Alves) (3:23)
3. Magnolia Wind (Clark/Camp) (3:48)
4. Soldier's Joy (Clark/Camp) (3:37)
5. Dancin' Days (Clark/Nelson) (3:25)
6. Homeless (Clark/Stephenson) (4:23)
7. Off The Map (Clark/Nelson) (3:43)
8. Bag Of Bones (Clark/Nicholson) (3:27)
9. She Loves To Ride Horses (Clark/Sykes) (3:31)
10. Rex's Blues (Townes Van Zandt) (3:09)
11. Queenie's Song (Clark/Allen) (2:36)
12. The Dark (Clark/Mondlock) (3:49)

"Down by the creek where the water goes slow, the green-backed heron and the moccasin know, all things come to him who waits yet he is lost who hesitates - life and death dancin' round in the mud..." - From "Mud"

* There's a nice laidback feel to this latest offering by Guy Clark. You know the drill, get a few mates round pick up a couple of guitars and just sing and play some songs. "The Dark" also has a homegrown DIY quality which further adds to it's charm. Production qualities are high and the mix is perfect for this style of music.

* Ably performed by Mr Clark himself on Acoustic Guitar/Vocals and Messrs Thompson & Scott on assorted instruments + Shawn Camp, Tim O'Brien, Chris Latham, Gillian Welch & Dave Rawlings - "The Dark" has some fine songs penned by Guy and various collaborators. All the songs are short and to the point - the longest track clocks in at just under 4 and a half minutes! Undoubted highlight is the excellent "Soldier's Joy" - well played, well sung and a fine "historically themed" composition.

* This is a good "Roots" album from Guy Clark and friends, proving that old adage, that there's "life in the old dog yet!"

Star Rating - ***.5

Top Track(s): "Soldier's Joy" & "Arizona Star"

Available from us, priced at £12.99 + p & p

Originally released on Sugar Hill Records September 2002

"The Dark" was reviewed by "DW"

For more information on Guy Clark, please click on the following Link

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Bob COLLUM: "LOW RENT ROMEO"
Produced by Bob Collum/Lou Whitney
Recorded at The Studio (Springfield, MO),
The Twenty Fifth Track (Broken Arrow, OK),
Cimarron Sound (Stillwater, OK)
Engineered by Lou Whitney, Jeff Parker
Principal Musicians:
Bob Collum - Vocals, Guitars, Harmonica
Mike Day - Drums, Bass, Mandolin, Vocals
Lou Whitney - Bass, Percussion
D Clinton Thompson - Guitars
Walt Bowers - Organ
Joe Terry/Kelly Brown - Piano
Tom Skinner - Bass, Vocals ,br> Levi Dennis/Dave Wilson - Fiddle
Bobby Lloyd Hicks - Vocals

Track Listings:
1. Falling Blue (Collum/Day)
2. Half Of What I See (Collum)
3. Long Road Home (Collum)
4. Untitled Love Song (Collum)
5. Battle Plan (Collum)
6. Empty Hands Of Love (Collum)
7. Heartbreak This Town (Collum)
8. For the Turnstiles (Neil Young)
9. Hours And |The Days (Collum/Whitney)
10. Dear Mrs Roosevelt (Woody Guthrie)
11. Gone (Collum)
12. Laws Of Gravity (Collum)

"It's a little strange, though not at all unwarranted, how many Amercian singer/songwriters there are who take their lead from Elvis Costello and Nick Lowe." - Gerry Ranson

* An expatriate American, Bob comes from Tulsa, Oklahoma, and now resides in Essex, England.

* Bob's music is a nice cross between "Roots", "Rock" and "Pop" styles. The songs have an endearing sing-a-long quality, particularly "Falling Blue", who's chorus I still can't get out of my head!

* The arrangements are mainly acoustic with a bass & drums backing. There's some excellent "Neil Young-esque" electric guitar playing ("Half Of What You See")and even a cover of Young's "For The Turnstiles" too. Also impressive, are the solo acoustic numbers, such as Woody Guthrie's "Dear Mrs Roosevelt" and Bob's own "Laws Of Gravity".

* This is a fine album, with lot's to recommend it to the discerning listener. Bob's songs are "catchy" and the standard of musicianship is high. You can see Bob, touring up and down the country (UK) over the coming months. A list of concerts appears on our "Tour News" page.

Star Rating - ****

Top Track(s): "Falling Blue" & "Long Road Home"

Originally released on Atomic Powered Records in 2000

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Johnny CONNOLLY with Charlie LENNON: "AN MILEOIDEAN SCAOILTE" (Traditional Irish Folk Album)
Produced by Charlie Lennon
Featured Musicians:
Johnny Connolly ~ Melodeons
Charlie Lennon ~ Piano, fiddle
Seosamh O'Neachtain ~ Dancer on track 7

Track Listings:
1. First House In Connaught/The Sally Gardens
2. Tonra's/Down The Back Line
3. Johnny's Reels/Mick O'Connor's Choice
4. Boys Of The Blue Hill/Peacocks Feather
5. Humours Of Glendarte/Monaghan Jig
6. Bean an Raidio/Paddy In Preston
7. Boil The Breakfast Early/New Mown Meadows
8. Miss McCleod's Reel
9. Dowd's No. 9/Galway Rambler
10. Maggie In The Woods
11. Rose Of Aranmore/Glen Swilly/An Raicin Alainn
12. Emmet The Piper/The Frost Is All Over
13. George White's Favourite/LOve At The Endings ,br> 14. Amhran na Tra Baine
15. Golden Keyboard/The Silver Spear
16. Port Tom Mor/The Flying Wheelchair
17. Lucy Campbell/Ship In Full Sail

All tracks traditional arranged Johnny Connolly/Charlie Lennon

"Johnny Connolly is an acknowledged master: possibly the greatest Irish melodeon player ever, certainly the best of his generation.." The Living Tradition

• The first thing I noticed about this album was the almost surreal titles to some of the tracks ~ “The Flying Wheelchair” being a personal favourite! The album contains a selection of reels, jigs, polkas, waltzes and airs all ably performed by Johnny and accompanied by Charlie on the piano. A major part of the arrangements (and the album’s appeal) is Charlie’s subdued/minimalist keyboard work which fits to perfection with Johnny’s busy melodeon style ~ in short, it’s a marriage made in heaven!
  

• All the tracks are relatively short but none the worse for that. It would’ve been a tragedy if the tunes had been developed into longer perhaps more self-indulgent pieces. Johnny fairly rips through some of the numbers, no more so than on “Boil The Breakfast Early/New Mown Meadows” featuring (very effectively) the dancer Seosamh O'Neachtain and “Miss McCleod’s Reel” which crackles with unrestrained energy…
  

• A nice change of pace is the inclusion of Charlie on fiddle on the jig “Emmet The Piper/The Frost Is All Over” with the duo playing the lead lines in unison…
  

• Such is the passion present on this album that I wouldn’t be surprised if the majority (if not all) of it was recorded in a single take. Johnny & Charlie certainly feed off one another producing in the process a highly infectious blend of traditional styles of music. As always with the calibre of this type of performer, one suspects that the best way to appreciate them and their music is to see them perform live…
  

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Rick DANKO: "TIMES LIKE THESE"
Produced by: Aaaron Hurwitz/Rick Danko
Engineers: "Too many to list!"
Mixed by: Dave Cook/Aaaron Hurwitz
Principal Musicians (Selection Only):
Rick Danko - Lead And Backing Vocals, Acoustic guitar
Aaron Hurwitz - Keyboards, "Bv's"
Garth Hudson - Sax, Keyboards
Joe Walsh - Guitar, Piano
Tom Pacheco/Jim Weider/Mike DeMicco - Acoustic Guitars
Mike Dunne/Terry Danko/Scott Petito - Bass
Gary Burke - Drums
Marie Spinosa/Maud Hudson - "Bv's"

Track Listings:
1. Times Like These (Danko) (4:19)
2. Ripple (Hunter/Garcia) (5:41)
3. All Our Past Times (Clapton/Danko) (3:46)
4. Book Faded Brown (Jost) (3:12)
5. Chain Gang (Cooke) (4:26)
6. Change Is Good (Danko/Tullio/Kaecher) (4:10)
7. This Wheel's On Fire (Dylan/Danko) (5:06)
8. You Can Go Home (Pacheco/Danko) (5:34)
9. Let The Four Winds Blow (Bartholomew/Domino) (3:22)
10. People Of Conscience (Pacheco) (4:19)

"Rick had always said he would never put his name on an album unless he was proud of it. The reason being, he had to live with it." - Elizabeth Danko

* A beautifully understated album, containing some fine songs and a wealth of musical talent to back them up. There are laid back versions of Sam Cooke's "Chain Gang" + a jazzy interpretation of "This Wheel's On Fire" - nothing like the "Absolutely Fabulous" version! Excellent musical contributions throughout - from the likes of Garth Hudson, Joe Walsh and Aaaron Hurwitz make this a fine swansong for the late "Band" bassist.

Star Rating - ****

Top Track(s): "Chain Gang" & "This Wheel's On Fire"

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Bob DELEVANTE: "COLUMBUS & THE COLOSSAL MISTAKE" (Americana/Roots Album)
Produced, Engineered & Mixed by Bob Delevante
Featured Musicians:
Bob Delevante ~ Vocals, Acoustic Guitars, Lead Guitar, Harmonica
Jody Nardone ~ Organ, Piano, Glockenspiel
Phil Madeira ~ Guitar/Dobro
Gary Tallent ~ Bass
Bryan Owings/Paul Griffith ~ Drums
Dave Jacques ~ French Horn
Mike Porter ~ Tambourine/Shaker
Southside Johnnie/Danny Clinch ~ Harmonica
Tim Coates ~ Jawharp
Paul Deakin ~ Vibes
David Henry ~ Cello
Dave Coleman/Buddy Miller/John Sieger/Kenny Vaughn ~ Lead Guitar
Fats Kaplin ~ Banjo, Fiddle, Pedal Steel
Walter Egan Jr ~ Turntable
Marybeth Cysewski/Joe Pisapia/Emmylou Harris ~ Vocals

Track Listings:
1. Columbus & The Colossal Mistake (4.26)
2. Circles Round Me (3.36)
3. Close My Eyes (3.14)
4. An Old Picture Of You (2.17)
5. Fly Home (2.50)
6. Venice Is Sinking (4.38)
7. Like A Meadowlark Blues (3.13)
8. The Things I Long To Hear (3.28)
9. Texarkana State Of Mind (3.12)
10. Paint My House (2.44)
11. The Garden Wall (3.29)
Bonus Tracks:
12. Blitkrieg Bop (2.49)
13. Texarkana State Of Mind (Jawharp Mix) (4.20)

All songs written by Bob Delevante except "The Blitzkrieg Bop" by Hyman/Cummings/Clovin/Ederly and "Not Fade Away" by Norman Petty

"With the release of "C&TCM", Bob Delevante once again graciously offers dispatches from the stronger side of the heart..." From the sleeve notes

• "C&TCM" is Bob's 4th solo outing and follows on from 1999's "Porchlight" release. Bob has an excellent voice and is also a fine songwriter ~ lyrically, his compositions remind me a bit of fellow US troubadour Tom Pacheco in their style and execution...
  

• A nice touch is the 5 atmospheric black and white photos tucked away inside the fold out album cover ~ "Boardwalk Casino" & "The Lake At Dawn" being particularly effective pictures...
  

• The album opens with a couple of fast-paced numbers ~ the title track "C&TCM" and "Circles Round Me" both of which are powered along by the rock solid rhythm section of Gary Tallent (E-Street Band) and Bryan Owings. "C&TCM" also features some great banjo, fiddle and pedal steel work from Fats Kaplin while the catchy "Circles Round Me" has Bob playing some meaty lead guitar...
  

• Track 3, "I Close My Eyes" is another fairly up-tempo song and has some of my favourite lyrics on the album ~ "Now and then is just about when I draw a single breath and here or there is everywhere I am before I'm laid to rest, but now and then, here or there near or far I close my eyes and there you are..."
  

• Things quieten down for the next track, the introspective "An Old Picture Of You". Bob is accompanied only by an acoustic guitar, cello and piano ~ an arrangement that works well for this type of song...
  

• "Fly Home To" is another up-tempo track that once again fair motors along courtesy of Messrs Tallent and Owings + there's some nice jangly guitar work courtesy of Dave Coleman. "Venice Is Sinking" is a much Bluesier number that's really brought to life by Southside Johnny's harmonica playing. Great lyrics on this track: - "There's water on the altar and in the confessional too. At the great Basilica Father's wearing knee high boots and the buildings are sinking ~ soon it will all be gone..."
  

• More Bluesiness follows in the powerful "Like A Meadowlark Blues" ~ this is Bob's best vocal performance on the album + there's some great guitar work from Buddy Miller on this track. More superlative lyrics here too: - "Your momma should've warned you, your daddy should've told you too. You got the black crow trying to sing a song like a meadowlark blues..."
  

• "The Things I Long To Hear" features the great Emmylou Harris very effectively on backing vocals. "Texarkana State Of Mind" fair rocks along and is a real good-time-feeling song that reminds me of early Eagles material. "Paint My House" is pure Rock & Roll that makes the listener want to clap along! The album "concludes" with "The Garden Wall" which is powered along by Garry Tallent's rolling bass line and a forceful vocal from Bob...
  

• Bonus Tracks: A surpise inclusion (but rendered very effectively ~ particularly with the addition of some Beatlesque French Horn) is The Ramones "Blitzkrieg Bop" + an extended re-mixed version of "Texarkana State Of Mind" which has Jawharp brought to the fore and some "record scratching" courtesy of Walter Egan Jr! An excellent alternative version...
  

• "C&TCM" is a great Alt-Country-Rock album. Bob is a very good singer/songwriter as well as being a talented engineer/mixer/producer. As far as the Alt-Country genre goes, this is one of the best albums I've heard in a long time. Special mention should go to the rhythm section of Garry Tallent/Bryan Owings who impress throughout with their solid/imaginative bass and drum work...
  

There are a couple of audio samples from the album featured on the Fair Oaks CD sales site's Jukebox page…

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Kenny EDWARDS: “KENNY EDWARDS” (Roots/Americana Album)
Produced, Recorded & Mixed by Freddy Koella at Lune Air Studio, Santa Monica, CA
Featured Musicians:
Kenny Edwards: Acoustic Guitar, Mandolin, Bass, Vocals
Freddy Koella: Electric, Slide & Acoustic Guitars, Violin, Lap Steel, Accordion, Dulcimer, Bass, Drums, Percussion
Theresa Andersson, Wendy Waldman, Steven J Soles: Vocals
Tom Kell: Electric Guitar
Jeff Young: Piano
Tom Lackner: Drums

Track Listings:
1. Gotta Let It Go (Edwards/Waldman) (3.27)
2. In My Dream (Edwards) (5.00)
3. Misery & Happiness (Edwards/Sewell) (3.38)
4. No Tears (Edwards) (3.32)
5. Statesboro Blues (McTell) (2.24)
6. The Way I Love You (Edwards/Koella/Waldman) (4.35)
7. The Sky Keeps Falling (Edwards/Waldman) (5.13)
8. Not In This Life (Edwards/Jefferson) (3.33)
9. Set Me Free (Edwards) (3.52)
10. Gone Again (Edwards/Kell) (2.41)

“This house never seemed so small, but there's nobody in it. It's going to fade away to nothing at all If it's a battle; who's going to win it...” From “Gotta Let It Go”

• Best known for producing, writing and performing with others, Kenny Edwards released his first album in August of 2002…
  

• "In all the years of playing music and making records I've never considered myself a solo artist. I've worked with other artists whose songs and voices are so good that I always devoted my self to bringing out the best in their music…"
  

• Both the above quotes are from Kenny’s web site. So, can a man who normally “does” for others hack it in the solo stakes? The simple answer is “Yes!” Previous to this solo effort, Kenny has worked for the likes of (deep breath): - Linda Ronstadt, Rita Coolidge, Ian Matthews, Andrew Gold, Albert Brooks, Tom Pacheco, J D Souther, Don Henley & Warren Zevon ~ to name but a few!
  

• Vocally, Kenny reminds me a bit of Bruce Hornsby. Musically Kenny’s acoustic guitar driven songs have a rocky edge to them ~ many featuring simple riffs and/or repeated chord sequences that power the tracks along. “Gotta Let It Go” and “In My Dream” are prime examples of this almost hypnotic approach…
  

• Throughout this recording, Kenny is ably abetted by producer Freddy Koella on various instruments ~ he adds depth and colour to the arrangements in the same manner as Jim Weider does for Tom Pacheco. To prove my point, listen out for some ferocious slide guitar from Freddy on “Statesboro Blues” and juxtapose that with his delicate violin lines on “The Way I Love You”…
  

• The quality of the songs and performances featured here are of a very high standard. I particularly liked “The Sky Keeps Falling” with it’s insistent bass line and perfectly timed backbeat courtesy of Freddy. Parts of this track remind me a bit of Bad Company’s “Feel Like Making Love” ~ particularly the intro and verse sequences…
  

• Other highlights on this fine album are the Bluesy “Misery & Happiness” and the reflective “Not In This Life”. Kenny’s mandolin playing on the former and his singing on the latter both being exemplary…
  

• The album closes with another tour de force, the up tempo “Gone Again” ~ a laidback tale of a constantly absent woman! There’s nice background vocals on this track, courtesy of Wendy Waldman + a some meaty acoustic guitar work from Kenny…
  

• It’s great to see this noted sides-man coming to the fore with his own excellent solo outing. Recorded and released in 2002, let’s hope it’s not too long before Kenny treats us to another quality listening experience like this one. A superb album…

There's a live version of "Statesboro Blues" featured on the Fair Oaks CD sales site's Jukebox page…

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Jeff FINLIN: "LIVE FROM NOWHERE"
All songs written by Jeff Finlin
Recorded live at the Exit/In, Nashville, May 2002
Musicians:
Jeff Finlin: Guitars, Vocals
Pat Buchanan: Guitar, Background Vocals
Kevin Hornback: Bass
Tommy Meyer: Drums
Steve Herman: Trumpet
Randy Leago: Sax
Jim Hoke: Sax

Track Listings:
1. West Of Rome
2. Goodbye Is Just A Freight Train Comin'
3. Delta Dawn
4. Dancing On The Downside
5. Alchemy
6. Waiting On A Flood
7. Goodtime

"I've seen the faces of the linemen, the little black boxes of the shinemen. Your train's delayed again, it seems, broken down in Alchemy" - From "Alchemy"

* Jeff's voice (a sort of higher pitched Dylan) takes a bit of getting used to - that said, this is a cracker of an album! Jeff & his band really rock-out on the opening tracks "West Of Rome" and "Goodbye Is Just A Freight Train Comin'" - which sounds remarkably like The Stones circa "It's Only Rock & Roll (But I Like It).

* Special mention must go to Jeff's backing band and in particular Pat Buchanan's guitar playing which is excellent throughout.

* Jeff already has a fine reputation as a Roots singer/songwriter, this live album will certainly enhance and add to that.

Star Rating - ****.5

Top Track(s): "Goodbye Is Just A Freight Train Comin'" & "West Of Rome"

Originally released in 2002

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FORGOTTEN SUNS: "SNOOZE" (Progressive Rock 2 CD Album)
Produced by Jorge Avillez & Forgotten Suns Recorded in Portalegre from 15th to the 27th July 2003
The Band:
Linx ~ Lead & Backing Vocals, Keyboards
Ricardo Falcao ~ Electric & Acoustic Guitars
Johnny ~ Bass Guitars
J C Samora ~ Drums, Percussion

With guest musicians:
Paula Teixeira, Antonio Pedro, Pedro Soares, Diogo SottoMayor, Miguel Valadares, Zana & Teresa Dagnino

Track Listings:
CD1
1. Dreaming Of Reality
2. Senses
3. Strange Affair With The Night
4. Dream Killer
5. Floating Spirit Dimension
6. Pay The Price

CD2
1. Struggle
2. Death
3. Angel’s Embrace
4. A Truce
5. The Final Sentence

+ an interactive media section

All tracks written by Forgotten Suns

“Fear not what you’ve learned to fear…” From the sleeve notes

• If you’ve never heard of this Portugese Progressive Rock band, here’s a quote from their web site: - “Forgotten Suns surfaced in the arid desert of the Portuguese progressive scene as a prominent oasis. The dream emerged in 1991, out of the friendship between Linx and Ricardo Falcão, who happened to study at the same school. After listening to ‘Script for a Jester's Tear’ by Marillion, they were so inspired by it that they decided to try to follow the same steps as their favourite band. Many were the backlashes of putting a band together. Though Linx and Ricardo shared the same musical perspectives, they struggled to find other musicians who wanted to point in that same direction…”
  

• Forgotten Suns certainly have a feel of Marillion, but I felt it’s nearer the time of the “Season’s End” album and not “Script For A Jester’s Tear” as mentioned above. There are also hints of Dream Theater and Genesis in some of the music. Ricardo Falcao’s guitar playing style has echoes of both Steve Rothery and Alex Lifeson while Linx’s keyboard work combines both Mark Kelly and Tony Banks. This isn’t a criticism ~ the four musicians I’m comparing them with are all first class instrumentalists…
  

• On to the music then, “Snooze” is stretched over 2 CDs and gives the avid Prog Rock listener plenty to get their collective teeth into. Over the 2 disks, there isn’t a wasted track and the standard of musicianship throughout is very high. I’m assuming this is a concept album about someone called “X”? Sadly there isn’t a background story or lyric sheet included (which is a shame) so I’m guessing I’m right in that assumption…
  

• There are gut wrenching tempo changes, staccato rhythmic bursts, rubber burning stops and starts, melodic guitar and keyboard solos ~ everything the discerning Prog Rock fan holds dear. Linx (singing in English instead of his native Portugese) is a fine vocalist ~ perhaps nearer to the likes of Marillion’s Steve Hoggarth than Fish or Peter Gabriel…
  

• Due to lack of time and space, it’s impossible for me to give you a track by track run down of a 2 CD album. Instead I’ve chosen to review the opening tracks on CD 1 to give the reader a flavour of what to expect. “Dreaming Of Reality” has a flowing, lengthy, highly melodic intro before Linx’s vocals come in over a rapid staccato backing track. After this opening burst, the tempo and playing evens out as we go straight into “Senses”, this song develops into a major work-out that features some blistering keyboard work from Linx and an effective restrained guitar solo from Ricardo…
  

• As a Prog Rock fan of many years standing, I can say that I’m mightily impressed with this double album. The intricate songs effortlessly hold the listener’s attention and as I’ve already pointed out, the members of the band are all excellent musicians. Linx’s keyboard work is particularly impressive as is Ricardo’s guitar playing. The rhythm section of Johnny & JC is very tight and effective ~ in fact the band as a whole are an exceedingly classy and thoroughly professional unit. Here’s to the next offering from Forgotten Suns and this time lads, a lyric sheet if you please!

There are several audio samples from the album featured on the Fair Oaks CD sales site's Jukebox page…

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FOLK FOR PEACE: "RUMOURS OF RAIN"
Released on HYPERTENSION December 2004

• "Rumours Of Rain: A Plea For Peace", was written by Cathryn Craig and Brian Willoughby. The song came to Cathryn in a dream on 6th February 2003. The vision of the group of artists came to Brian on 8th March 2003. The recording of the song began on 19th March 2003 and the group Folk For Peace was born...
  

• Includes appearances from: Martin Carthy, Ralph McTell, Nanci Griffith, Tom Paxton, Jacqui McShee, Benny Gallagher, Tommy Sands, Clive Gregson, Emily Slade, Steve Tilston, Bob Fox, Ron Angus, Jez Lowe, Derek Brimstone, Harvey Andrews, Martin Joseph, Stefan Hannigan, Saskia Tompkins, Rick Kemp, Rod Clements, Ric Saunders, Chris Leslie, Gerry Conway along with Fellow Strawbs Chas Cronk and Dave Lambert...
  

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Paddy GLACKIN: "GLACKIN" (Traditional Irish Folk Album)
Produced by Tony MacMahon
Recorded at John Penrose (Studio 1, Radio RTE)
Featured Musicians:
Paddy Glackin ~ Fiddle
Tom, Seamus & Kevin Glackin ~ Fiddles
Micheal O'Suilleabhain ~ Harpsichord

1. Pat Tuohey's Reel/Old Cuffe Street
2. Sean o Duibhir an Ghleanna
3. The Boys Of Malin/The High Road To Linton
4. The Duke Of Leinster/The Morning Dew
5. The Hare In The Corn/Patrick O'Keefe's Jig
6. Bonapart's Retreat
7. McFadden's Reel
8. Miss Patterson's Slipper
9. The Sunny Banks
10. The Cup Of (Overdrawn) Tea/John Doherty's Reel
11. Cherish The Ladies
12. The Pinch Of Snuff/The Wild Irishman
13. Julia Delaney's Reel/Mother's Delight
14. The King Of The Pipes/Arthur Darley's Jig
15. The Gravel Walks
16. Red-haired Charles
17. The Boyne Hunt/Single Jig

All tracks arranged by Paddy Glackin, except 2, 9 & 17 arranged by Micheal O Suilleabhain

"Paddy is one of the more outstanding of the younger generation of traditional fiddlers; is in keen demand as a soloist at concerts and sessions..." From the sleeve notes

• This CD is a re-release of Paddy's 1977 debut album. As a master class in traditional Irish fiddle playing, there's probably no finer example than this recording. The arrangements are stripped right down to the bone, with many tracks just featuring Paddy solo…
  

• Several of the tracks featured here have subsequently been covered by other major artistes. However, Paddy’s undoubted skills as an interpreter of traditional folk melodies, together with his flawless technique, gives an “extra something” to these timeless tunes…
  

• Of the unaccompanied tracks, “The Hare & The Corn/Patrick O’Keefe’s Jig” and the angular “Bonapart’s Retreat” are the stand out performances. “The Boyne Hunt/Single Jig” shows to great effect that Paddy can also be a “team man”. This track in particular takes off due to the addition of backing musicians that Paddy can interact with…
  

• While I would be the first to admit that this is a “specialist” album and that it might only appeal to a narrow range of music fans, there is plenty for the discerning listener to enjoy. As well as being a master musician, Paddy has an infectious enthusiasm about his playing and many of the tunes featured will have you tapping your feet and clapping along. There really isn’t any better recommendation than that…
  

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Clive GREGSON: "LONG STORY SHORT"
“At the end of my gigs, I’m often asked if any of my CDs are like my live show. This one is!” ~ Clive Gregson

All songs written, arranged, produced & performed by Clive Gregson
Recorded and mixed by CG at Gregsonics, Nashville, Tennessee
Featured Musician:
Clive Gregson ~ Vocals, Acoustic Guitars, Piano, Harmonica & Banjo

Track Listings:
1. Cornerstone (3:36)
2. Over The Garden Wall (2:48)
3. Ghosts (3:24)
4. Wintertime (2:40)
5. My Bitter Half (3:32)
6. Paper Dolls (3:18)
7. I Never Learned A Thing About You (2:55)
8. My Other Life (2:47)
9. All My Stories (3:30)
10. Jenny (3:01)
11. Your Love (3:01)
12. Joan Of Arkansas (3:34)
13. I Remember You (3:01)
14. Goldfish Bowl (2:25)
15. Cool Cool Rain (2:59)

“Round and around and around I go swimming in my goldfish bowl, working so hard to keep my body and soul together in my goldfish bowl…” From “Goldfish Bowl”

• This latest album by UK singer/songwriter Clive Gregson is quite possibly the best of his solo outings. As is often the case with great writers the stripped down approach of “one man, one acoustic guitar” allows the songs room to breathe and the pure talent of the performer to shine through…
  

• The concept of “Long Story Short” came about because many of Clive’s fans came up to him at the end of his solo concerts and asked if any of his CDs were like his live shows. As Clive himself points out in the quote at the top of this review, this album is! All the songs here are written in the first person and contain Clive’s observations on life, love and everything in-between…
  

• All the songs on “Long Story Short” are of a high standard with “Cornerstone”, “I Never Learned A Thing About You”, “Over The Garden Wall” & “Cool Cool Rain” being the standout tracks. There are some great lyrics here too all laced with a dash of northern wit. “I Remember You” caught my eye with it’s mock “Cockney Rhyming Slang” ~ “Cellophane wrap, holiday snaps, every shade of blue. Apples and pairs, tables and chairs, I remember you. Polythene bags, packets of fags, anything brand new. Fly on the wall, shoes in the hall, I remember you…”
  

• Perhaps the best song and performance on the album is the sublime piano led “I Never Learned A Thing About You”. I found myself returning time and again to this track with its witty yet sad lyrics of a man who can understand everything apart from how to love someone! “I can understand why night follows day and I know that the moon holds the tide in sway, but I don’t understand why you seem so blue cos I never learned a thing about you. No, I never learned a thing about you…”
  

• In conclusion, it’s fair to say that every song on this album is a real gem. There isn’t a wasted track and Clive is on top form both vocally and instrumentally throughout. His acoustic guitar playing is accomplished with a busy, almost percussive edge that suits the songs down to the ground. Vocally too, every track is sung with passion and conviction. I like this album for it’s direct approach and although Clive isn’t the first artiste to produce an album of this type ~ Tom Pacheco’s “Bare Bones” series immediately springs to mind, it’s great to hear a songwriter performing a batch of new songs in this “unplugged”, uncluttered way…
  

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Nanci GRIFFITH: "WINTER MARQUEE"
Produced by Nanci Griffith/Monty Hitchcock
Recorded by Dean Norman
Mixed & Mastered by Dean Norman/Mark Lambert
Principal Musicians:
Nanci Griffith - Vocals, Acoustic Guitar
James Hooker - Keyboards, Vocals
Pat McInerney - Drums, Percussion
Ron De La Vega - Bass, Cello, Vocals
Chas Williams - Electric Guitars, Dobro
Le Ann Etheridge - Acoustic Guitar, Vocals
Emmylou Harris - Harmony Vocals on "Good Night, New York"
Tom Russell - Acoustic Guitar, Vocals on "What's That I Hear?"
& "White Freight Liner"
Andrew Hardin - Acoustic Guitar on "What's That I Hear?"
& "White Freight Liner"

Track Listings:
1. Speed Of The Sound Of Loneliness (John Prine) (4:40)
2. I Wish It Would Rain (Nanci Griffith) (2:36)
3. Boots Of Spanish Leather (Bob Dylan) (6:34)
4. Two For The Road (Nanci Griffith) (2:59)
5. Listen To The Radio (Nanci Griffith) (3:51)
6. There's A Light Beyond These Woods (Nanci Griffith) (4:46)
7. Gulf Coast Highway (Griffith/Hooker/Flowers) (3:32)
8. The Flyer (Nanci Griffith) (4:46)
9. Good Night, New York (Julie Gold) (5:06)
10. Travelling Through This Part Of You (Nanci Griffith) (4:19)
11. Last Train Home (Nanci Griffith) (3:05)
12. I'm Not Drivin' These Wheels (Nanci Griffith) (3:40)
13. What's That I Hear? (Phil Ochs) (4:08)
14. White Freight Liner (Townes Van Zandt) (5:01)
15. Clock Without Hands (DVD only)
16. Lost Him In The Sun (DVD Only)
17. Home On The Radio (DVD Only)
18. If I Had A Hammer (DVD Only)

"This cradle on the interstate, makes me weary of dreams... The hurt that they cause, is now restless it seems... Oh soldier, dear soldier, you keep your dreams to yourself... My heart's rolled and tumbled, until I've put it on the shelf..." - From "I'm Not Drivin' These Wheels"

* This is an excellent recording that fully captures the magic of Nanci Griffith & The Blue Moon Orchestra live in concert. As well as performing her own material, Nanci covers songs by Bob Dylan, John Prine, Julie Gold, Phil Ochs & Townes Van Zandt. The musicianship is of a very high standard, and with guest performers Tom Russell, Andrew Hardin & Emmylou Harris - a splendid time is guaranteed for all!

* Nanci's backing band deserves a special mention - in particular, Chas Williams excellent guitar work and Pat McInerney's enthusiastic drumming! Ron De Le Vega's bass playing is solid and James Hooker's keyboards to-gether with Le Ann Etheridge's vocals and guitar work add colour and depth to Nanci's songs and performance.

* "Two For The Road", "Listen To The Radio" & "I'm Not Drivin' These Wheels" are all great singalong toe-tapping numbers - but there's also room for more introspective material like Dylan's "Boots Of Spanish Leather" and Nanci's "There's A Light Beyond These Woods".

* "Winter Marquee" is available in both CD & DVD format. The DVD version contains four extra tracks - see the "Track Listings" above for details.

Star Rating - *****

Top Track(s): "Listen To The Radio" & "I'm Not Drivin' These Wheels"

Originally released on Rounder Records in September 2002

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Noel HILL & Tony MacMAHON: "I gCnoc na Grai" (Traditional Irish Folk Album)
Recorded live at Dan O'Connell's pub in Knocknagree, Ireland on Friday October 18th 1985
Featured Musicians:
Noel Hill ~ Concertina
Tony MacMahon ~ Accordion

Track Listings:
1. The Humours Of Castlefin (2.29)
2. The Ash Plant (3.21)
3. Port na bPUCAI (6.16)
4. Young Tom Ennis (3.20)
5. The Pure Drop (3.44)
6. The New Custom House (3.19)
7. An FAINNE OIR (3.38)
8. Cooley's Jig (3.22)
9. The Old Concertina Reel (2.16)
10. A hAON'S a DO na PIOBAIREACHTA/The Ace & Deuce Of Piping (3.29)
11. The Green Groves Of Erin (2.29)
12. Paul Halfpenny (2.39)
13. The New Mown Meadow (4.22)
14. The Trip To Athlone (3.15)
15. Aisling Gheal (4.41)

All tracks traditional. 1, 2, 4, 6, 8, 9, 11, 13 & 14 arranged Noel Hill/Tony MacMahon. 3, 12 & 15 arranged Tony MacMahon

"In the Irish tradition, we have musicians who speak for us, the dancers who fight the ground for us and the people who provide the energy and will-power and heart..." Peadar O'Riada

• This live album, as mentioned above, was recorded on October the 18th 1985 at Dan O’Connell’s pub in Knocknagree which is situated on the Cork & Kerry border. Messrs Hill & MacMahon found themselves accompanied by a troupe of Clare dancers + the exuberant crowd who stamped their boots/shoes on the floor in time to the rhythm…
  

• Noel Hill & Tony MacMahon are certainly masters of their chosen instruments as this live album proves without a doubt. This collection of jigs, airs and reels is performed with great panache and skill by the duo ~ much to the obvious delight of the audience. According to the blurb issued with this CD, “This classic album is the closest recording to capturing the joy and energy of a great Irish ceili…” ~ I find it very hard to disagree with that statement!
  

• The set list consists of a mixture of duo and solo performances, some fast-paced jigs and reels, but also some slower studied pieces ~ the best of which is the mini-epic track 3, “PORT na bPUCAI”. Of the faster tunes, the opening track, “The Humours Of Castlefin” (which has the audience rapturously joining in) and track 13, “The New Mown Meadow” are arguably the best…
  

• Although “I gCnoc na Grai” contains it’s fare share of crowd pleasers, it’s nice to see Noel & Tony aren’t afraid to put a few quieter tunes in to break the set up. All in all, this is a splendid album, full of spirit and enthusiasm ~ especially from the crowd! My only quibble is the lack of any on-stage banter from the performers which would’ve added a further touch of authenticity to the proceedings. Other than that minor point, this is a fine album that’s more than worthy to grace the collection of any traditional music enthusiast…
  

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John HACKETT: "CHECKING OUT OF LONDON" (Rock Album)
Produced, Mixed & Arranged by Nick Magnus & John Hackett
Recorded at Hacktrax, Map Studios & Magick Nuns
Featured Musicians:
John Hackett: Lead Vocals, Lead & Acoustic Guitars, Bass Guitar, Keyboards
Steve Hackett: Lead Guitar on tracks 1, 3, 7 & 10, Harmonica on track 2
Nick Magnus: Drums, Keyboards
Tony Patterson: Lead Vocals on tracks 3, 6 & 9, “BVs”

Track Listings:
1. Late Trains (4.42)
2. The Hallway & The Pram (4.13)
3. Ego & Id (4.00)
4. DNA (4.13)
5. Fantasy (2.54)
6. Dreamtown (5.18)
7. Headlights (4.05)
8. Winter (3.54)
9. Whispers (3.46)
10. More (5.48)
11. Dust (4.02)
12. Checking Out Of London (2.40)
All music composed by John Hackett ~ except “DNA by John Hackett/Nick Clabburn. Lyrics by Nick Clabburn ~ except “DNA” by John Hackett

“You ring me late at night when the house is dead and quiet. I hear the cables humming and I know that you are there…” From “Late Trains”

• Great to see John Hackett stepping into the mainstream with this excellent Rock album. Perhaps best known for being a classical flautist and for his work with guitarist brother Steve, “Checking Out Of London” will make many listeners sit up and take notice! Immaculately produced and arranged by John & keyboard player Nick Magnus this album is a revelation as far as I’m concerned. Below are my opinions and thoughts on each track…
  

• Late Trains: Opens with some gorgeous early Genesis/Steve Hackett “jangly” 12 string and builds as various instruments slip in and out of the mix. I’ve never heard John sing before and on the evidence presented here, he should do more of it! The chorus harmonies are excellent as is Steve’s meaty electric guitar work ~ a great opening track…
  

• The Hallway & The Pram: Fairly laid back in the opening sections, “Hallway” nevertheless fair motors along once it gets going + there’s a blistering harmonica solo from Steve. Nice chorus too, “Tired of others’ inspiration, innovations bouncing round my head. Missing all the new inventions might as well be dead…”
  

• Ego & Id: Featuring ReGenesis vocalist Tony Patterson on lead vocals, this track is a bit King Crimson in feel and execution ~ definitely one of the heaviest tracks on the album. More excellent guitar work and a very catchy riff powering the song along…
  

• DNA: This track has a nice change of pace and features rather ethereal vocals and slightly Jazzy guitar breaks from John + beautifully understated keyboard work from Nick…
  

• Fantasy: More Jazzy undertones and some nice harmonies on this track ~ a tale of the joys of internet chat rooms! “Staring at the screen, waiting for your words to arrive. I need all this just to survive. Fantasy, better than reality…”
  

• Dreamtown: One of my favourite tracks on the album. Tony Patterson’s vocal delivery style sounds like a cross between Peter Gabriel and ex-Marillion singer Fish ~ reminds me a bit of “Carpet Crawlers” from the Genesis “The Lamb” album. Great tortured lead guitar work from John…
  

• Headlights: Slightly Latin feel to this track which is propelled along by John’s acoustic rhythm guitar. More great electric guitar work courtesy of Steve + there’s a really catchy acoustic guitar closing section and fade out…
  

• Winter: Similar introspective style to “Fantasy”, this features some very tight harmonies on the chorus ~ “Leave me now, watch this space. Closing down, leaving town.” Another candidate for best song on the album, this one really burrows into your brain after a couple of listens!
  

• Whispers: Echoes of Fish era Marillion on this track. Tony Patterson again takes lead vocals and makes a damn good job of them too! Along with “Ego & Id” this is the Rockiest track/arrangement on the album. Both Nick Clabburn’s lyrics and John’s melody lines are reminiscent of Genesis era Peter Gabriel ~ “Strangers in the spotlights, dark adapted eyes. Whispers in the papers, someone’s telling lies…” Definitely one of my favourite tracks ~ I’m sure this song will be a real crowd pleaser when John and his band perform it live…
  

• More: Another up-tempo tune, this time with a hint of Reggae in the backing track played under the verses. Steve again proves what a great guitarist he is and John pulls out all the stops with a powerful vocal performance…
  

• Dust: More “jangly” acoustic guitar and a wistful vocal from John on this song of regrets ~ “Like dust in the wind, our love would fade. Like dust in the wind, our love would fade. Like dust, like dust…”
  

• Checking Out Of London: The CD concludes quietly with the piano driven title track. A really nice chord sequence underpins this song and John conjures up his best vocal performance on the album…
  

• This album has really grown on me. The songs, musicianship, production and arrangements are all top class. Praise too for Nick Magnus (one of my all-time favourite keyboard players) whose keyboard work is beautifully understated throughout ~ a tactic that really suits the songs. As I mentioned at the start of this review, it’s great to see John putting his not inconsiderable talents into a Rock album. As a long-standing Genesis/Steve Hackett fan, it’s good to see their musical legacy continuing into the 21st century with this splendid recording…
  

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Doug HOEKSTRA: "THE PAST IS NEVER PAST
Produced by Doug Hoekstra
Engineered by Andrew Robb, Robb Earls, George Marinelli, Jeff Kowalkowski,
Brian Lambert
Principal Musicians:
Doug Hoekstra - Electric & Acoustic Guitars, Bass, Keyboards, Melodica,
Harmonica, Percussion, Vocals
Brian Lambert - Voice, Drums
Bill Murphy - Marimba
Andrew Robb - Cymbals, Mandola
Don Kerce - Loops
George Marinelli - Mandolin, Organ, Piano, Electric & Acoustic Guitars
Pat Muesel - Guitars
Jeff Kowalkowski - Piano, Organ, Keyboards, Accordion, Loops, Orchestral
Arrangements, Fingersnaps
Allison Stanley - Drums, Percussion, Clarinet
Chris Minnis - Drums
Jen Paulson - Viola
Tina Paulsen - Cello
K K Faulkner, Collen Burke Kave, Kat Parsons - Vocals

Track Listings:
1. She Walks In Beauty (Doug Hoekstra) (1:05)
2. Oh, Zamira (Doug Hoekstra) (3:48)
3. 500 Miles Away (Doug Hoekstra) (4:05)
4. Break My Fall (Doug Hoekstra/George Marinelli) (3:53)
5. The Past Is Never Past (Doug Hoekstra/Gary Michael Smith) (5:23)
6. Drops Fell from My Fingertips (Doug Hoekstra) (5:17)
7. If The World Was Blind (Doug Hoekstra) (6:03)
8. What's On Your Mind? (Doug Hoekstra) (3:55)
9. Staring Out The Window (Doug Hoekstra) (4:04)
10. Where I Worked (Doug Hoekstra/Gary Michael Smith) (4:40)
11. The Life We Love #9 (Doug Hoekstra) (3:53)
12. Ballad Of The Soldier's Wife (Bertolt Brecht/Kurt Weill) (3:55)
13. Rear-view Mirror Effect (Doug Hoekstra) (2:03)

"The past is never past ~ it's with us all the time in the soil beneath our feet and the memories deep inside" - From "The Past Is Never Past"

* If you're new to the music of Doug Hoekstra, then this fine album is the place to start. Full of atmosphere and with stunning lyrics, Doug's almost conversational vocal delivery style draws the listener into the songs. Immaculately performed and ably abetted by ex-Bruce Hornsby & The Range guitarist George Marinelli and Keyboard player Jeff Kowalkowski this is probably Doug's finest album to date.

Star Rating - ****

Top Track(s): "She Walks In Beauty" & "Break My Fall"

Originally released in 2001 on Inbetweens Records

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Steve KNIGHTLEY, Seth LAKEMAN & Jenna: "WESTERN APPROACHES"
Produced & recorded by Sean Lakeman in the Piano Kitchen, Horrabridge, Devon
Featured Musicians:
Steve Knightley: Vocals, Guitar, Mandocello, Cuatro, Bass
Seth Lakeman: Vocals, Tenor Guitar, Fiddle
Jenna: Vocals, Keyboards

+ Iain Goodall: Percussion

Track Listings:
1. Jigsaw (Witts/Lakeman)
2. Suerfers’ Storm (Witts)
3. Crooked Man (Knightley)
4. Captain’s Court (Lakeman)
5. Image Of Love (Lakeman)
6. Track Of Words (Knightley)
7. The Keeper (Knightley)
8. Sand In Your Shoes (Witts)
9. Ye Mariners All (Trad. Arr. Lakeman)
10. The Ballad Of Josie (Lakeman)
11. If I Fall (Knightley)
12. Dawn Wave (Witts)

“Three individual performers team up to present songs of youthfulness and maturity. Despite their diverse backgrounds all three share a love of songwriting & performing and a deep affinity for their West Country roots…” Quote “borrowed” from the Show Of Hands web site

• On “Western Approaches”, three diverse musical talents get together for the first time to produce a fine debut CD. Best known of the trio is probably Steve Knightley who is one half of UK acoustic duo Show Of Hands. Songwriting and singing duties are distributed fairly evenly which gives a nice feeling of diversity to the album…
  

• The album opens with the Jenna Witts/Seth Lakeman song “Jigsaw”. Sung by Seth and with some solid block harmonies to the fore, this track sets the scene for the rest of the album ~ acoustic backings with multiple layered vocal tracks. Next up is Jenna’s “Surfers’ Storm”, a piano led piece that is argably the most powerful track on the album…
  

• Track 3 features Steve Knightley on lead vocals singing his own composition, “Crooked Man” ~ a live version of this track can be downloaded from the S Of H web site. Best vocal performance comes from Seth on “Captain’s Court” a tale of intrigue on the high seas. “Image Of Love” sung by Jenna is a much more introspective song featuring some delicate fret work from “the boys”…
  

• “Track Of Words” is a typical Steve Knightley song ~ the style and feel reminds me very much of “Drake” from S Of H’s recent “Country Life” album. “The Keeper” & “Sand In Your Shoes” are both fine songs and performances but it’s the traditional “Ye Mariners All” that really makes the listener sit up to attention with it’s pounding, insistent acoustic guitar work and a passionate vocal delivery from Seth…
  

• “The Ballad Of Josie” provides Steve Knightley’s with his best vocal performance singing this melodic, poignant Seth Lakeman tune. “If I Fall” and “Dawn Wave” bring the album to a quiet conclusion…
  

• The combination of such diverse talents makes for a very interesting CD that gets under your skin the more you listen to it. I was particularly impressed with Seth Lakeman who gives his all on every track. Steve Knightley comes across as a steadying influence on the two youngsters adding stability and experience while Jenna’s powerful keyboard work and pure voice adds yet another dimension to this multi-layered recording. Occasionally a bit rough round the edges, this album bodes well for the future and I hope this project isn’t a “one off” as I feel there’s a lot of mileage possible with this trio…
  

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Josie KUHN: "LA LUNA LOCA"
Produced by Josie Kuhn/Johnnie Paul
Engineered and mastered by Danny Lee Ramsey
All songs written by Josie Kuhn, except "The Lucky One & "You're Losing Me"
by Josie Kuhn/Ron Davies, "A Man Like Me" by Josie Kuhn/Mandy Mercer
Principal Musicians:
Josie Kuhn - Vocals, Acoustic Guitars
Albert Lee - Electric Guitars, Vocals
Bebo Whitehead - Acoustic Guitar, Slide Guitar
Mark Webb - Spanish Guitar
Susie Monick - Mandolin, Accordian, Banjo
Jeff Davis/Charlie Chadwick - Basses
Brian Owings/Rick Lanow - Drums
Maki Suntikal - Percussion

Track Listings:
1. The Lucky One (3:44)
2. You're Mine Tonight (2:40)
3. La Luna Loca (6:10)
4. A Man Like Me (3:34)
5. Keepin' Secrets (4:36)
6. Fat Tina's Cantina (5:08)
7. Here On The Res (4:12)
8. Ride Where The Wind Blows (5:32)
9. Stranded In South Dakota (2:56)
10. Natalie (3:08)
11. You're Losing Me (4:12)
12. No Te Quiero Mas (2:42)

"Keepin' secrets - it's in your eyes, keepin' secrets - hidden little lies… I know what's goin' on - even a fool can see that you've been keepin' secrets...from me" - From "Keepin' Secrets"

This brand new release from the talented Mss Kuhn covers everything from Country to Folk to Blues - no mean feat! With legendary guitar picker Albert Lee in attendance, this is a fine album. Mr Lee is excellent throughout, as is Bebo Whitehead on lead acoustic guitar. A thoroughly entertaining CD with something for everyone!

Star Rating - ****

Top Track(s): "A Man Like Me" & "Keeping Secrets"

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MACALLA: “WOMEN OF IRELAND” (Traditional Irish Folk Album)
Produced by Nicky Ryan Featured Musicians:
Seosaimhin Ni Bheaglaoich ~ Vocals
Mary MacNamara ~ Concertina
Roma Casey ~ Fiddle
Mairead Ni Mhaonaigh ~ Fiddle, Vocals
Mary Corcoran ~ Fiddle
+ 18 other renowned Irish ladies!

Track Listings:
1. An Cailin Aerach (3.28)
2. O’Dowd’s/The Union Reel (2.10)
3. Mna na hEireann (3.10)
4. An Seanduine Doite/Paddy Canny’s (3.00)
5. Bhi Mise La (1.20)
6. Blackberry Blossom/Lord McDonnell/Vincent Broderick’s (3.25)
7. Highlands/The Congress Reel (33.35)
8. Eibhlin Gheal Chiuin (1.40)
9. Cobblers/Strop The Razor (4.35)
10. Taimse ‘gus Maire (1.45)
11. The Chancellor/Paddy Sullivan’s (2.52)
12. Aililiu na Gamhna

All tracks traditional except "Mna na hEireann" (O Doirnin/O Riada)

“This album is a collection of songs and tunes which celebrates a musical adventure which began in Dublin in 1984. It was then that more than twenty women came together to express their music and their creativity as a group. No better day for it than March 8th, International Women’s Day…” From the sleeve notes

• Firstly, my apologies to the 18 ladies who’s names I left out of the list of musicians who play on this album ~ there just wasn’t enough room to fit you all in! Of the names I did manage to squeeze in, Mairead Ni Mhaonaigh is probably the most well-known as she is a member of the world famous group ALTAN…
  

• This album was (as mentioned in the quote above) conceived and recorded live over 20 years ago in 1984. It features 23 (then) up and coming Irish female artistes performing traditional songs, jigs and reels. The songs are mainly performed in a choral manner while fiddles are to the fore in the more up-tempo jigs and reels…
  

• The arrangements are quite sparse, particularly behind the massed vocals of songs like the opener “An Cailin Aerach”. It’s a different tale on the jigs and reels however where it sounds as if everyone has joined in for an all-out “jam session”! “O’Dowd’s/The Union Reel” is a fine example of this approach…
  

• The great traditional singer Seosaimhin Ni Bheaglaioch gets to perform in a solo capacity on the haunting “Mna na hEireann” ~ a challenge she rises to with a pitch perfect soaring vocal performance. Other vocal highlights are the unaccompanied “Bhi Mise La” & “Eibhlin Gheal Chiuin both of which are sung en masse by the girls…
  

• Of the instrumentals, it’s “Cobblers/Strop The Razor” which is the stand-out track which features some deft fiddle and flute work…
  

• This album has a real good time feel to it. One gets the impression that everyone enjoyed the occasion and was on their best behaviour throughout the recording sessions! As far as I’m aware the ladies have never got back together to produce a sequel? If not, perhaps after 21 years it’s time for a re-match. Just think of the stories they’d have to tell each other…

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Don MacLEAN: "REARVIEW MIRROR" (Roots/Rock Album/DVD)

• A PM Mini-Review!
  

• A truly definitive collection featuring "Vincent", "American Pie" and previously unreleased material. What makes this set so special is the Bonus DVD including rare footage of Don with The Jordanaires. Also includes the video of "And I Love You So" featuring Nanci Griffith + a brand new Don McClean track, "Run Diana Run", a tribute to Princess Diana...
  

• A definitive CD/DVD retrospective of the iconic singer-songwriter. It features 18 tracks with lots of rare and unreleased recordings from over the years, as well as the original hit version of one of most adored songs in the history of American music, “American Pie”. In addition the set comes with a free bonus DVD, featuring among other things home-video footage of Don rehearsing with The Jordanaires...
  

• There's also an extended booklet with intriguing liner notes by producer Joel Dorn and plenty of previously unpublished photos from throughout Don’s life makes this an essential collection for any and all of Don’s fans...
  

  CD tracks:
  If You Could Read My Mind/Vincent (Starry, Starry Night)/Wonderful Baby/Love Me Tender/(It Was) A Very Good Year/El Paso/My Saddle Pals & I/And I Love You So (duet with Nanci Griffith)/Crying/Empty Chairs/Homeless Brother/TB Blues/Magdalene Lane/Infinity/Prime Time/American Pie/Run Diana Run/You’ve Got To Share
  

  DVD tracks:
  Don McLean with The Jordanaires: Rudolph The Red Nosed Reindeer/Left For Dead On The Road Of Love/Slow And Easy/Rudolph 2/Tulsa Time/Deep In The Heart Of Texas/White Christmas/Rudolph 3/Don't/Interviews/Dig A Little Deeper/Credits/Bonus Videos: Headroom (1990)/And I Love You So (duet with Nanci Griffith (2000)

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Mary McPARTLAN: "THE HOLLAND HANDKERCHIEF"
Produced by PJ Curtis
Recorded at Sun Street Studios, Tuam, County Galway Nov/Dec 2003
Engineered by Kenny Ralph
Musical director & arranger: Shamie O’Dowd
Featured Musicians:
Mary McPartlan: Vocals
Shamie O’Dowd: Electric, Acoustics & Bass Guitars, Fiddles, Harmonicas, Vocals
Mairtin O’Connor: Accordion
Paddy Keenan: Uilleann Pipes
Liam Kelly: Flute/Whistle
Tom Morrow: Fiddle
Eddie Lynch: Piano/Keyboards
Cathal Hayden: Banjo
Fergal Gallagher: String Bass
Danny Byrt: Drums, Djembe, Percussion
Mary Staunton/Martina Goggin: “BVs”

Track Listings:
1. The Holland Handkerchief (Trad. Arr. McPartlan/O’Dowd) 5.42
2. Rainy Night In Soho (McGowan) 4.02
3. Johnny Lovely Johnny (Trad. Arr. McPartlan/O’Dowd) 3.57
4. The Tide Full In (Mulligan/Fahy) 4.01
5. Ladybird (Edwards/Arr. McPartlan/Lynch) 5.05
6. Lord Gregory (Trad. Arr. McPartlan) 3.21
7. John Riley (O’Brien/Clarke) 3.31
8. Lovely Sailor Boy (Trad. Arr. McParlan/O’Dowd/O’Connor/Kelly/Morrow) 3.31
9. As I Roved Out/Joe O’Dowd’s Barndance” (Trad. Arr. McPartlan/S O’Dowd/J O’Dowd) 3.23
10. Peat Bog Soldiers (Trad. Arr. McPartlan/O’Dowd) 3.33
11. Saw You Running (Moore) 3.50
12. Aura Lee (Trad. Arr. McPartlan/O’Dowd) 3.51
13. Slieve Gallion Braes (Trad. Arr. McPartlan/O’Dowd) 2.24
“Brilliant new voice breaks onto the scene, abetted by Ireland’s finest sidemen to produce a classic debut album” ~ From a press release…

• According to the sleeve notes, Mary has been a mainstay of the Irish music scene for several decades singing at music venues, theatres and clubs. It’s only now however that she’s got around to recording her debut CD. The combination of Mary’s stunning voice and the cream of Irish session musicians has certainly produced an album rich in texture, spirit and soul. Special mention should go to Shamie O’Dowd’s haunting arrangements, which really get the best out of Mary’s voice…
  

• The opening title track contains some sterling Uilleann Pipe work from Paddy Keenan and energetic acoustic guitar playing from Shamie O’Dowd. Mary rings plenty of angst out of the song’s lyrics ~ a ghostly tale of a returning lost love. “Rainy Night In Soho” is an absolute gem from the pen of the legend that is Shane McGowan ~ a deeply touching song that is probably the best composition on the album…
  

• Shamie’s sparse arrangements allow Mary’s peerless vocals plenty of room to take the centre stage where they rightly belong. The traditional “Johnny Lovely Johnny” is punctuated by some exquisite whistle and fiddle interplay from Liam Kelly and Tom Morrow respectively. “The Tide Full In” has the air of an old fashioned sea shanty while Mary and pianist Eddie Lynch ring ever ounce of passion out of that old chestnut “Ladybird”…
  

• “Lord Gregory” ~ a song which exists in several different versions is here given a mesmerising accapella performance by Mary. “John Riley” is a rousing Tim O’Brien/Guy Clarke tune, powered along by Shamie’s harmonica riffs while “Lovely Sailor Boy” is a rather sad and introspective song telling the story of a young lass searching for her lost sailor boyfriend. The tempo then “ups” considerably on track 9, “As I Roved Out/Joe O’Dowd’s Barndance” as the band and Mary collectively let their hair down ~ I defy anyone to keep there feet still listening to this tune! Once again Liam Kelly and Tom Morrow take the honours for some splendid flute and fiddle playing…
  

• “Peat Bog Soldiers” with it’s slow, atmospheric fiddle and keyboard work is a song tinged with sadness. Mary sings with great restraint and the overall effect makes the hairs on your arms stand on end! “Saw You Running” and “Aura Lee” are both Gospel/Jazz tinged tunes and only go to prove that Mary can handle any style of music. The album concludes quietly and serenely with the traditional “Slieve Gallion Braes” another accapella song sung by Mary backed by Mary Staunton and Martina Goggin…
  

• This debut album from Mary McPartlan bodes well for the future and it’s indeed gratifying to hear the emergence of another fine traditional Folk vocalist. Full marks must also go to the backing musicians who certainly add warmth and depth to the songs. I’d have to single out Liam Kelly and Tom Morrow for special praise as they are top-class musicians who both play as if their lives depended on it!

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Kevin MONTGOMERY & PETTIBONE: "ANOTHER LONG STORY"
Produced by : Dusty Wakeman, Michael Dumas, Kevin Montgomery etc
Engineered by: Dusty Wakeman & Michael Dumas etc
Principal Musicians (Main backing band only):
Kevin Montgomery - Acoustic Guitar, Lead Vocals, "BV's"
Doug Pettibone - Electric, Acoustic, Steel & Baritone Guitars, "BV's"
Paul Bushnell - Bass
Jim Christie - Drums

Track Listings:
1. Another Long Story (Montgomery/Gottlieb)
2. Let's All Go To California (Montgomery/Finlin)
3. Visions Of White (Montgomery)
4. I Wish I Were Blind (Bruce Springsteen)
5. Lookin' Out For # 1 (Montgomery/Neigher)
6. Angel Tonight (Montgomery/Finlin)
7. Stumbled (Montgomery/Gottlieb)
8. Your Kind Of Love (Montgomery/Pettibone)
9. Broken (Montgomery/Rollings/Wilson)
10. At Our Best (Montgomery/Neigher)

"Saw her walkin' down Sunset Blvd, pushin' her sleepin' hungry kids in a grocery cart. Put a Band-Aid on it with my five dollars but those kids are growin' up so hard." - From "Lookin' Out For # 1"

* Kevin Montgomery & Pettibone represent the "New Wave" of "Roots Music" Artistes. Containing a combination of great songs and superb musicianship, this is an excellent album. In particular, the single "Let's All Go To California" - driven along by Doug Pettibone's "Neil Young-esque" electric guitar playing. There's plenty of light & shade too, with the inclusion of purely acoustic tracks like "Angel Tonight". With talent like this around the "Old Guard" had better look out!

Star Rating - *****

Top Track(s): "Let's All Go To California" & "Lookin' Out For # 1"

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Hunter MOORE: “SOUTH OF ST. LOUIS” (Roots/Americana Album)
Recorded at home in Nashville, Tennessee, USA
Featured Musician:
Hunter Moore ~ Vocals, Guitar, Piano

Track Listings:

1. Enter (0.20)	13. If I Didn’t Love You (2.38)
2. To Missouri (3.48)	14. First Things Last (3.58)
3. Antwerp Sunday Afternoon (3.50)	15. If You Were The Answer (3.40)
4. Before (0.14)	16. Pardon My Nostalgia (4.47)
5. Good 4U (3.09)	17. I’m Recording (0.34)
6. Just Because We Do (4.14)	18. This Thing Is Gonna Fly (3.35)
7. Goodbye Old Friend (3.33)	19. The Carpenter (4.07)
8. Mississippi Mud (3.12)	20. Myrtle Marie (3.00)
9. I Still Have My Dream (4.50)	21. Angelita (3.11)
10. In The End (2.52)	22. America (4.21)
11. If Everything Else Were Gone (4.21)	23. Exit (0.17)
12. Bad Dream (0.18)

All songs written by Hunter Moore except 19 by Hunter Moore/Niles Borop

“The songs, both new and old favourites, are recorded as solo versions and performed as they would be in a live setting. This simple approach allows Moore’s percussive rhythm guitar playing and expressive tenor to shine through as they have across the US and Europe in clubs and coffee-houses featuring acoustic music…” ~ From the sleeve notes

• Conceived as a concert album without the audience, “South Of St. Louis” is similar to Clive Gregson’s “Long Story Short” or any of Tom Pacheco’s “Bare Bones” series ~ in that the songs are performed as they would be in a live setting…
  

• Considering it was recorded at Hunter's home, the clarity of the recording (particularly the vocals) is very impressive. There are no production or engineering credits, so I assume Hunter is to be congratulated on doing it all himself!
  

• The addition of stops and false-starts between some of the songs works well, my favourite being “I’m Recording” when someone inadvertently walks into the recording room and ruins the take!
  

• Although Hunter’s vocals are sung in a lower register, his voice is not that dissimilar to Neil Young’s ~ particularly when he sings words like “turning”. The songs are a mixture of first person (Antwerp Sunday Afternoon) and story narrative (Just Because We Do) styles. Hunter’s excellent lyrics and melody lines all stand out because of the “unplugged” nature of the album. His acoustic guitar playing is clean and uncluttered as is his piano playing, a technique which suits the songs to perfection…
  

• Best song and performance on the album is the piano driven “I Still Have My Dream”. A close second is “Just Because We Do” which features an effective picked guitar backing. Lyrically, all the songs are first class, take this line from “Just Because We Do”, “…and he looks at her at eighty-three like she was twenty two, romance doesn’t have to get old just because we do…”
  

• As mentioned above, several other artistes have taken this “live” approach to recording of late, and it certainly works here. It’s always been the case that good songs will always stand up no matter how sparse the backing to them is. As a follow up to his more studio orientated “Conversations” album, this is a welcome addition to Hunter Moore’s expanding musical catalogue…
  

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Gerry O'CONNOR: "JOURNEYMAN"
Produced by Gerry & Donal O’Connor
Recorded at Homestead Studios, Randalstown, Co. Antrim
Engineered by Shaun “Mudd” Wallace
Featured Musicians:
Gerry O’Connor: Fiddle
With
Donal O’Connor: Fiddle, Piano
Paul McSherry: Guitar
Martin O’Hare: Bodhran
Martin Quinn: Accordion
Neil Martin: Vello

Track Listings:
1. Jig In A/Dancing Eyes/Up And About In The Morning (3.39)
2. The Chicken’s Gone To Scotland/Kitty The Hare/Jim Erwin’s/The Drunken Maids Of Ardnaree (5.03)
3. Ur-Chnoc Chein Mhic Cainte (2.42)
4. The Yellow Wattle/Pat MacKenna’s/Christy Barry’s (4.23)
5. The Maid Behind The Bar/Paddy Ryan’s Dream/Music In The Glen (4.28)
6. Bidh Eoin/Casey’s Pig/Rose Mooney (3.52)
7. Bonny Anne/Travers/Sporting Nell (3.32)
8. The Day The Ass Ran Away/Lancer’s/Tickle Her Leg With The Barley Straw (3.37)
9. The Star Of Munster/The Boys Of The Lough (3.20)
10. Bessie The Beauty Of Rossinure Hill (2.52)
11. Hanley’s/McGann’s (3.54)
12. The Left-Handed Reel/The Lass Of Ballintra/The Rakes Of Invercairn (3.24)
Total Running Time: 45.40

All tunes traditional/arranged by Gerry O’Connor except “Christy Barry’s Jig, “Pat McKenna’s Jig” & “Dancing Eyes” ~ Sean Ryan…

“Founder member of Skylark & La Lugh at last produces his solo album and it’s aces all round!” ~ From the press release…

• Gerry O’Connor’s first solo album is a real gem ~ as you’d expect from such a master craftsman. Gerry’s fiddle playing throughout this album is nothing short of exceptional, technically flawless and full of great passion…
  

• Tracks 1 (jigs) & 2 (reels) set the tone for much of the album, with fast and intricate melody lines played over a simple backing of guitar and piano. Track 2 is particularly good with it’s interplay between fiddle and accordion…
  

• Track 3 is the “air” "Ur-Chnoc Chein Mhic Cainte" and is a melancholy tune played with subtle restraint by Gerry and features Paul McSherry on acoustic guitar and Neil Martin on cello. Track 4 is another jig and works well with it’s straightforward backing track which builds nicely with first acoustic guitar and then piano added in the later stages…
  

• Tracks 5 and 7, are both sets of reels, featuring a series of complicated melody lines handled with ease by Gerry. We move to the highlands for track 6 and a set of tunes that begins by giving the listener a feeling of being stood alone on a windswept moor and ends sat by a raging log fire inside a remote crofter’s cottage!
  

• Track 8, a single jig, is notable as it only features the fiddles of Gerry and Donal ~ no other instrument is present throughout the entire piece. The interplay between the two musicians is superb as both play the melody lines with subtle variations adding variety and warmth to this complex set of tunes...
  

• “Bessie The Beauty Of Rossinure Hill” is a melancholy “air” in which Gerry’s fiddle playing wrings out every ounce of sadness that the melody line to this tune implies ~ a hauntingly beautiful piece. The album closes with a couple of reels, “Hanley’s/McGann’s” and the fiddle/accordion duet “The Left-Handed Reel…” which features a “jaw-dropping” key change two thirds of way through!
  

• Despite this being Gerry’s album, all the musicians contribute fully and I especially liked Gerry’s son Donal’s fiddle/piano work and Martin Quinn’s accordion playing. A nice touch is Gerry’s annotations for each track on the album cover. It’s always good to read about the origins of traditional tunes and why the musician featured chose to cover them in the first place…
  

• The great feeling that purveys this recording is of a musician who has been let off the leash. Gerry plays as if his very life depended on it and you sometimes get the impression that everyone else is finding it hard to keep up with him ~ such is the passion of this man’s fiddle playing. Fans of jigs and reels and traditional music in general will love this album, I certainly did! As with many artistes operating in this field of music, it’s always a good idea to catch them live if you can…
  

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Gerry O’CONNOR: “NO PLACE LIKE HOME” (Traditional Irish Folk Album)
Produced by Brendan O’Regan/Gerry O’Connor
Recorded & Mixed at Sun Street Studios, Tuam, Co. Galway
Featured Musicians:
Gerry O’Connor ~ Banjo/Fiddle
Brendan O’Regan ~ Bouzouki/Mandolin/Guitar
Tommy Hayes ~ Bodhran/Percussion
Damien Evans ~ Bass

Track Listings:
1. Bag Of Spuds/Copperplate
2. Tom Billy’s Jigs
3. Billy In The Lowground/The Temperance Reel
4. No Place Like Home
5. Thomond Bridge/Cuckoo’s First Call
6. Paddy O’Brien Selection
7. Colonel Frazer
8. Banish Misfortune/Trip To Killarney
9. Brendan O’Regan’s Reels
10. Ruby’s Birthday
11. Really Green Reel

Tracks 1 – 8 trad arr O’Connor/O’Regan. Tracks 4, 10 & 11 arr O’Connor. Track 9 O’Regan

“Even if Earl Scruggs and Bela Fleck switched from five-string to four-string banjo, I’m still not sure they could ever match the magic of Gerry O’Connor on the instrument…” Earl Hitchner, The Wall Street Journal, Irish Echo

• This is another traditional Folk album from Ireland that once again showcases the depth of talent that exists in the Emerald Isle. Gerry O’Connor is a master craftsman when it comes to playing the banjo, his music is highly infectious and with the assistance of Brendan O’Regan, Tommy Hayes & Damien Evans, “No Place like Home” has fast become an instant classic of the genre…
  

• The CD is a collection of reels, hornpipes and jigs ~ exactly what you’d expect from an Irish traditional album. What sets this recording apart from other similar outings is Gerry’s superlative banjo work which is at times unbelievably complex, but at the same time tuneful ~ the melody is never lost and this I feel is the hallmark of any great musician…
  

• It’s fair to say that there isn’t a wasted track on the album ~ personal favourites being the title track which is based on a repeated banjo figure and “Brendan O'Regan's Reels” which features some fine fiddle work from the maestro. The rhythm section of Tommy Hayes’ bodhran and Damien Evans’ bass fits in superbly with Gerry’s banjo playing as the duo drive the tunes along. Special mention too for Brendan O’Regan’s inventive bouzouki, mandolin and guitar work which adds extra colour and depth to proceedings…
  

• I have to admit to liking this album instantly. It usually takes several listens to get to the heart of any recording but I found myself humming along to the various tunes and melodies the first time I put “No Place Like Home” in the CD player. That’s not to infer that the album lacks depth, as you listen for a second, third and fourth time you discover more and more layers of sound beneath Gerry’s exemplary banjo work. A truly classic album that comes highly recommended…
  

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Sean O’RIADA/NATIONAL SYMPHONY ORCHESTRA OF IRELAND: "MISE EIRE" (OST)
Recorded by Peter Hunt/Gene Martin
Music Composed & Conducted by Sean O’Riada

Track Listings:
1. Mise Eire (I Am Ireland) (15.03)
2. Saoirse? (Freedom?) (9.07)
3. An Tine Bheo (The Living Fire) (11.31)

“MISE EIRE proves that Ireland has a composer of film music as good as anyone in the world. In this film, Sean O’Riada seems to have Mozart’s knack of exactly the right notes in exactly the right places ~ no mre, no less ~ and Gustav Mahler’s ability to use strange rich colours with a sparse austerity…” Charles Acton

• Reviewing original sound tracks can sometimes be tricky, the music doesn’t always stand up on it’s own without the relevant moving images. Thankfully, that isn’t the case here, the three pieces of music are each like individual symphonies. Sean O’Riada, the composer and conductor sadly died relatively young in 1971 but thanks to this timeless recording, his music lives on…
  

• As a background to the music, here’s a quote from the sleeve notes written by Sean Mac Reamoinn: - “The sixties of the 20th century were for Ireland years of change, rediscovery and renewal. And this came about in a complex way, involving politics and poetry, theology and television, economics and education. Heralding the new decade, the Gael-Linn film MISE EIRE (George Morrison, 1959), came as a timely reminder to a new generation of the creative tension that can and must exist between past and present, between history and prophesy. And in the score of the film, the musical genius of Sean O’Riada gave us an old song for a new era…”
  

• Two further films and their attendant scores followed, “Saoirse?” in 1960 and “An Tine Bheo” in 1966. As Sean Mac Reamoinn so eloquently puts it, “By the beginning of the seventies the nation had music to march to, a music putting past and future in harmony…”
  

• Of the three pieces featured here, it’s the opening track “Mise Eire” that has the most “pomp and circumstance” ~ a mixture of strident fanfares and quiet reflective woodwind solos. There’s even a hint of Holst’s “The Planets” in the style of the “Boer War Theme”. Of the 15 segments, the climactic finale, “The Asgard Sequence” is arguably the most powerful…
  

• “Saoirse?” is altogether a more introspective piece, particularly in it’s opening sections which are slow and moving, punctuated with powerful string and brass “stabs”. Parts 5 – 7 are brash with a marching sequence driving the “Step Together” section along with great gusto. The last segment, “Mointeamai/Link Themes” features “The Last Post” and is all the more moving for it…
  

• The final piece, “An Tine Bheo” begins with a brass melody line and builds almost immediately as the full orchestra comes in. There’s more marching music present in the eponymous “An Tine Bheo” section before the hope filled “Pearse Theme” resolves itself into the more melodic “The Grand Old Dame Britannia”. What follows is a mixture of swelling string movements and the hint of a sea shanty before “An Tine Bheo” concludes in dramatic fashion with some rather discordant musical motifs and finally with a beautifully constructed orchestral passage…
  

• This album of music by the late Sean O’Riada is a fine example of mid 20th century orchestral work. The themes are rich and melodic and the arrangements ~ one assumes by Sean himself, combine power and tenderness in equal measure. One can’t help but wonder what the great man would’ve achieved had his life not been ended at such an early age…
  

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Tim O'SHEA & FRIENDS: "LAKE OF LEARNING" (Traditional Irish Folk Album)
Produced by Tim O'Shea
Recorded by Tony O'Flaherty at Sonas Studios, Killarney, Ireland
Featured Musicians:
Tim O'Shea ~ Guitars, Vocals, Bodhran, Bones
Barry Magee ~ Concertina
Paddy Jones ~ Fiddle
Ger Culhane ~ Accordion
Matt Bashford ~ Uilleann Pipes, Clarinet & Low Whistle

Track Listings:
1. The Cat Jumped Into The Mouse's Hole/Going To The Well For Water" (2.47)
2. Lake Of Learning (4.44)
3. Humours Of Lisheen/The Mouse In The Cupboard/Drisheen Rambler (3.17)
4. Kelly's Cow/Top Of Maol/O'Connor's (3.08)
5. Reconciliation (5.20)
6. Cronin's (3.01)
7. Birdsong/The Butcher's March (3.29)
8. Freedom Is Like Gold (2.58)
9. Feartha Famine (4.35)
10. Mr O'Connor (5.37)
11. The New Customs House/Sailor's Cravat/Small Hills Of Offaly (3.38)
12. Willie/Roll In The Barrel (5.21)

All songs traditional, except 2 & 9 by Tim O'Shea, 5 by Ron Kavana and 8 by Andy M Stewart

"When the summer has gone and autumn winds are threatening to blow our love away, it's then our love will be tested. Arm in arm we'll stand, side by side together, to face the common foe that will tear our love asunder..." From "Reconciliation"

• Despite what’s inferred on the cover, this is a band album and not a solo project by Tim O’Shea. All the musicians get a chance to do their bit and I was particularly impressed with Matt Bashford’s Uilleann pipe work and Ger Culhane’s accordion playing. The album is a nice mix of songs, jigs, reels slides and polkas with something for everyone to enjoy…
  

• The album opens with a couple of slides both led by Paddy Jones’ fiddle and accompanied by Tim on acoustic guitar. Track 2, “Lake Of Learning”, was written by Tim and features him on lead vocals. The rhythm guitar part has the same insistent chugging feel as Dave Gilmour’s on Pink Floyd’s “Another Brick In The Wall Pt II”! This track also features some superlative pipe work from Matt…
  

• Tracks 3 & 4 are both instrumental. Barry and Ger lead the way on track 3 (a collection of jigs) with some jaunty concertina and accordion playing. It’s Paddy’s turn to shine on track 4 with some intricate fiddle work played over Tim’s rhythm guitar and Ger’s accordion…
  

• “Reconciliation” is a song about the struggle in Northern Ireland and is sung with some passion by Tim. Two more instrumental tracks follow “Reconciliation”, the hornpipe “Cronins” ~ which again features Barry on concertina and “Birdsong/The Butcher’s March”. “The Butcher’s March” has a section of melody line (played by Paddy) which I’m sure I’ve heard in a song by The Corrs, but can’t remember which one!
  

• Next up is Andy Stewart’s ”Freedom Is Like Gold” which again has a passionate performance from Tim on lead vocals plus some melodic pipe lines from Matt. “Feartha Famine” is probably the most introspective tune on the album and features a fine solo acoustic guitar performance from Tim. Barry also gets a chance to shine with a solo concertina spot on “Mr O’Connor’s”, in which he shows a deft hand with this notoriously tricky instrument! Barry comes to the fore again on track 11, another collection of reels. Tim’s accompanying guitar has an almost jazzy feel to it on this up-tempo set of tunes…
  

• The album concludes with a song, “Willie Taylor” and a slow reel, “Roll In The Barrel”. “Willie Taylor” contains familiar traditional themes ~ love, the sea, betrayal and murder! The slow reel, “Roll In The Barrel” performed by Ger, Tim & Matt, is a fitting finale to this fine album…
  

• What I really liked about this recording was that although it stuck to a theme of (mainly) traditional songs and tunes, there was enough variation to stop the album becoming rather “samey”. I also liked the fact that despite Tim’s name being writ large and bold on the front cover that he took a back seat on many of the tracks and let the other musicians have their moments of glory! As I mentioned in my introduction, “Lake Of Learning” is a band album and not a solo effort…
  

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Tom PACHECO: "BARE BONES & BARBED WIRE"
Produced by: Pete Holdai & Tom Pacheco
Recorded by: Pete Holdai on a hot night in Dublin, in August 1997
Principal Musician: Tom Pacheco - Acoustic Guitar & Vocals

Track Listings:
All songs written, arranged & performed by Tom Pacheco
Disc 1:
1. Jessica Brown (4:20)
2. Streets Of Blue Rain (3:24)
3. Yellow Ribbons (4:47)
4. You Will Not Be Forgotten (3:51)
5. Cell Block One (3:08)
6. Mining Country (3:14)
7. Hippie On The Highwa (3:10)
8. Down On The Promenade (4:11)
9. Long Gone (3:56)
10. Best Kept Secret In Youngstown, Ohio (2:53)
11. Full Time Job (3:18)
12. Strange Gods (4:04)
13. Your Family And Your friends (3:23)
14. you Again (3:50)
15. Turnpikes Truckstops (4:00)
16. Ophelia (4:53)
17. Just A Little Bullet (3:25)

Disc 2:
1. Robert & Ramona (3:53)
2. Minnesota Blue (5:18)
3. The Soul (4:16)
4. Swan With A Broken Wing (3:55)
5. Reverend Jake (4:15)
6. Her Mother's Face (3:37)
7. The Other Side (4:06)
8. Trust Your Heart Always (4:30)
9. Jesus In A Leather Jacket (3:12)
10. Who Was Sam Maguire (3:32)
11. Big Storm Comin'" (4:37)
12. Yellow Hair (3:51)
13. Made In America (3:51)
14. Van Gogh (4:32)
15. Grand Canyon (4:06)
16. Donna Marie (5:41)
17. The Last Blue Whale In The Ocean (3:41)

"I'd go as far as saying that he's the best (largely) unheard of singer/songwriter presently plying his trade. The proof is within." - Steve Morris

* One of the benchmarks that separates mediocre singer/songwriters from the truly gifted ones is the ability to produce a great performance using just the voice and an acoustic guitar - Tom Pacheco manages that feat here with ease. Although recorded in a studio, this is in reality a live album. Tom's songs are stripped down to the bare essentials - and the results are of a quality rarely heard before. A remarkable recording that brims over with energy and intensity.

Star Rating - *****

Top Track(s): "Jessica Brown" & "Made In America"

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Tom PACHECO: "BLUEFIELDS"
Produced by:Steinar Albrigtsen/Sverre Erik Henriksen
Exec Producer: Tom Skjeklesaether
Principal Musicians:
No list featured, but "Tom Pacheco - Acoustic Guitar, Vocals" seems a pretty safe bet.

Track Listings:
All songs written by Tom Pacheco
1. Welcome To The End Of The Century (4:42)
2. Bluefields (4:35)
3. Big Muddy River (2:40)
4. A Fine Homemade Pie (3:42)
5. Till The Last Breath I Breathe (4:14)
6. Sand (3:31)
7. If You Only Had A Warmer Heart (4:24)
8. Blue Montana Sky (4:16)
9. Fine Summer Morning (3:06)
10. For Old Times (4:21)
11. Angel (5:41)
12. Red White And Bleeding (4:21)

"You just keep on hoping, all through life's expense. 'Til you end up knowing, none of it makes sense..." - From "Bluefields"

* The success of this re-issued 1995 CD is, in no small part, due to the production by Steinar Albrigtsen & Sverre Erik Henriksen. With no reverb effects evident diluting Tom's vocals they are "up close and personal" - just as they should be. The musical arrangements are perfect - sparse and "dirty". This recording is certainly one of the best of Tom's "Backing Band" albums…

Star Rating - *****

Top Track(s): "Welcome To The End Of The Century" & "Red White And Bleeding"

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Tom PACHECO: "LUCK OF ANGELS"
Produced & Arranged by: Tom Pacheco/Jay Vernali
Principal Musicians (Selection Only):
Tom Pacheco - Lead Vocals, Acoustic Guitar, Harmonica
Michael Blaustone/Per Hillestad - Drums
Duncan Mullins/Mike Chapman/John Ownby/Oyvind Madsen - Basses
Biff Watson/Chris Leuzinger/Lars Havard Haugen/Sven Dag Hauge - Guitars
Doug Jernigan/Morten Sand - Steel Guitar
Jay Vernali/Lasse Hafreager - Keyboards
Josie Kuhn/Steinar Albrigtsen/Rita Eriksen - "Bv's"

Track Listings:
1. Searching For The Sixties
2. The Best Kept Secret In Youngstown Ohio
3. They're All Human
4. Oklahoma Plains
5. Tina Teresa
6. Tennessee Stars
7. Reverend Jake
8. Out Of The Ashes
9. Beautiful Moments
10. Let The Winds Of Heaven Dance Between Us
11. Cell Block One
12. Rosalie
13. Robert & Ramona

"The waitress must have known something, she said 'This dinner is on me, and may the luck of angels be with you.'" - From "Oklahoma Plains".

* This album finds Mr Pacheco in "With Backing Band" mode. As ever, the songs are superb - the musicians featured are too. But, just listen to "The Best Kept Secret In Youngstown Ohio" and "Robert & Ramona" both here and on the "Bare Bones & Barbed Wire" CD - I know which versions I prefer.

Star Rating - ***

Top Track: "Oklahoma Plains"

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Tom PACHECO: “REBEL SPRING” (Roots/Americana Album)
Produced by Jim Weider for Frog’s Claw Recordings
Recorded at MoonHaw & Robert Frazza’s Studios, N.Y.
Featured Musicians:
Tom Pacheco ~ Acoustic Guitar, Harmonica, Lead Vocals
Jim Weider ~ Electric & Acoustic Guitars, Mandolin, BVs
Steve Rust ~ Basses
Bruce Milner ~ Synth
The Resistance ~ BVs on “Not In My Name”

1. Rebel Spring (3.31)
2. North Dakota (4.12)
3. Woody & Jack (6.47)
4. Cheaper In China (4.11)
5. God & Flag & Country (4.08)
6. Uncle Joe (3.55)
7. That’s What Life Is (5.04)
8. Six Bucks An Hour (3.22)
9. Freida’s Secret Garden (3.41)
10. Winter Lament (4.24)
11. The Last Drop (3.48)
12. Grandma’s Blue Blanket (4.39)
13. Not In My Name (4.50)
All songs written by Tom Pacheco

“I had an odd dream, and we were all in it together. I dreamt that we woke up to find ourselves in a strange world of the 20th Century with a real and uncomfortable feeling that we are all looking into the dark, open throat of a bloody abyss…” ~ Tom Pacheco

• Ever since Tom Pacheco started recording with Jim Weider it’s been a match made in heaven. Jim’s production and colourful guitar playing complement Tom’s material in a way that no one else has ever done before. This album is not dissimilar to Tom’s “Bare Bones” series in that the arrangements are quite sparse throughout…
  

• Lyrically, this is one of Tom’s finest albums with arguably some of the best words he’s ever written. Check out “Uncle Joe” ~ “Went to see Uncle Joe in the nursing home, through the window the setting sun shone. There wasn’t much to say, are they treating you okay? Do you watch the Red Sox play? What did you eat today?” or “God & Flag & Country” ~ “The desert sands are shifting, the wind screams like a train. An unmailed letter scattered across the wild terrain, a letter from a soldier, a private John McCall, with bloodstains on the pages, no one will read at all…”
  

• There are some absolute gems on this album, “North Dakota”, “God & Flag & Country” and “Not In My Name” being personal favourites. Tom is obviously a man troubled by the world as it is today as is evidenced by many of the lyrics featured on “Rebel Spring”. Take this segment from “God & Flag & Country” ~ “For God and flag and country and all it signifies, across a foreign land he fought, too young to question why. For God and flag and country, as precious as a prayer, he didn’t know a thing about the fools who sent him there…”
  

• “Rebel Spring” is arguably Tom’s best album to date. All the songs are excellent, as are the performances by Tom and Jim Weider whose guitar work is exemplary throughout. The CD is also attractively packaged, featuring copious sleeve notes from Tom + lyrics to all the songs and annotations from Gary Alexander. As at the time of writing, Tom has produced another “Bare Bones” CD called “13 Stones” ~ if it’s even close to the standard of this album then I can’t wait to hear it. Expect a review soon…
  

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Tom PACHECO: "THE LOST AMERICAN SONGWRITER - BARE BONES II"
Produced By: Jim Weider/Tom Pacheco - I assume!
All songs written by Tom